I am ever so slightly cynical about Ms Bush's claim to have 'recently come across the back up mixes of this album' - it's true that historically EMI was pretty shoddy with its archives but by 1993 I am fairly sure they'd got themselves organised - anyway, regardless of the story behind this reissue, there's no doubt it marks a huge improvement upon the original CD.
Basically this is slightly more than a remastered reissue, given that it's from a different source. Unsurprisingly the analogue tape remastering provides the classic combination of slight tape compression alongside scooped EQ. Surprisingly this really does wonders for the songs - far more than I'd ever have thought possible.
For the record I did a little comparison test using a totally EQ-free set-up, a Music Fidelity CD player, two massive block amps, and Neat speakers. The outcome is I'll be sticking my original 1993 copy into one of the many charity bags that come through my door, and hanging onto this new version.
In reducing the low mids, this remastering gives the impression of added space and air, so its deep and bright but never brittle ... there's much more continuity and the bass is really warm and beefed up - lovely. One very unexpected surprise is how good 'Top of the City' sounds and even the none too inspiring Clapton guitar solo sits within its track much more successfully. I have to wonder, given this outcome, quite why Ms Bush felt she needed to revisit these songs on 'Director's Cut'. As for 'Big Stripey Lie', remastered it's a revelation; to my mind an overlooked masterpiece. The toms on 'Why Should I Love You?' are slightly distorted at the beginning of the track - I assume this is intentional cos they sound great.
Anyway, I always had a few problems with this album - it certainly wasn't close to being my favourite. I have always had the impression that EMI wanted a Kate Bush album they could flog to mainstream America, so required guest stars (Eric Clapton and Prince) - hence the ghastly sticker on the case of the original release.
It's great to finally (after 18 years) have this opportunity to to hear this album revived and stronger than ever.
Congratulations to Ms Bush - a wise move, a true restorative that brings new life to her work.