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The Red House Hardcover – 10 May 2012


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The Red House + The Curious Incident of the Dog in the Night-time + A Spot of Bother
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Product details

  • Hardcover: 272 pages
  • Publisher: Jonathan Cape; First Edition First Impression edition (10 May 2012)
  • Language: English
  • ISBN-10: 0224096400
  • ISBN-13: 978-0224096409
  • Product Dimensions: 16.2 x 2.7 x 24 cm
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (344 customer reviews)
  • Amazon Bestsellers Rank: 222,755 in Books (See Top 100 in Books)

More About the Author

Mark Haddon is an author, illustrator and screenwriter who has written fifteen books for children and won two BAFTAs. His bestselling novel, The Curious Incident of the Dog in the Night-time, was published simultaneously by Jonathan Cape and David Fickling in 2003. It won seventeen literary prizes, including the Whitbread Award. His poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador in 2005, and his last novel, The Red House, was published by Jonathan Cape in 2012. He lives in Oxford.

Product Description

Review

Haddon achieves a remarkable mélange of streams of consciousness, snatches of books, music, TV, private thoughts, lists, letters, all intertwined with sharply observed vignettes of everyday banality, soaring flights of description (Carol Birch Guardian 2012-05-09)

A masterly evocation of two dysfunctional, yet outwardly respectable families (Jane Clinton Sunday Express)

Rather like with Alan Ayckbourn's plays, what makes The Red House engaging is the quality of the writing. From the first page in which the train carrying Dominic and Angela's family "unzips the fields", there is a vigor to Haddon's prose which carries you along. I read it twice, both times with enjoyment (Amanda Craig Independent on Sunday)

First and foremost an easy read. But it's not just that, it's also shockingly well-observed, gut-wrenchingly familiar and even heartbreaking at times (Stylist)

The Red House - an adult novel set in Wales about a tortured family holiday, narrated equally the voices of children and adults - plays to all his strengths (Vanity Fair)

Book Description

The most keenly awaited book of the year - the superb new novel by the author of A Spot of Bother and The Curious Incident of the Dog in the Night-time.

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Customer Reviews

3.1 out of 5 stars

Most Helpful Customer Reviews

15 of 15 people found the following review helpful By Phil on 8 May 2013
Format: Paperback
A week in a holiday cottage shared by eight relations, seen from their varying perspectives. The trials of being with one's family: those people in our lives that we didn't choose! The damage that's been done, and the anger and resentment. And the selective and unreliable nature of memory: how two people can look back and remember the same event quite differently. These are some of the themes of Mark Haddon's remarkable third novel, which confirms his status as an exceptionally talented author who always produces the goods - some achievement, after the runaway success of the debut that had readers wondering if he could ever write anything as good again. Well, he could, and he has (twice).

As always, Haddon gets inside each of his characters and opens them up like an anatomist, dissecting their behaviour and motives, and recording their pains and triumphs. As it says on the jacket, he has "a true understanding of the human heart". (So true, in fact, that it might be unsettling, having him as one of your relatives! That acuity of perception; you could get away with nothing.) His observations on children in particular are wonderfully good, and the four in this novel will tug at your heartstrings: the unhappy girl who doesn't know how to be kind; the late-adolescent boy obsessed with sex, rivalry and the need to impress; his sister's struggle to come to terms with something that has turned her to religion for comfort; and the little boy who is still very much a child, but has to deal with the complicated manoeuvres of those older than him, when all he wants to do is have fun.

The story is told in small chunks, switching quickly from one perspective to another: a structure likely to annoy me, but it didn't.
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14 of 15 people found the following review helpful By Benjamin TOP 500 REVIEWER on 7 July 2012
Format: Hardcover Verified Purchase
Brother and Sister Richard and Angela have had little contact since the death of their mother some years ago. In the mean time Richard has remarried and in the process gained a teenage 'daughter'. A self assured hospital consultant, he decides to try to reconnect with his sister and her family.

Angela teaches, while her husband Dominic, once a successful composer of ad tunes is now working in a book store; they have two teenage children, Alex and Daisy, and eight year old Benjy. Angela and Dominic's marriage is shaky, Alex is loosing respect or his father and Daisy has joined a church and has cut herself off from her old friends.

When Richard invites Angela and her family to join them for a week in a rented cottage on the Welsh border it is with mixed feelings that they accept. The Red House is an account of their holiday. Taken day by day it is a series of episodes from their interactions, peppered with their private thoughts and worries, along with occasional snippets from their chosen various reading matter.

The account flits from person to person with rapid frequency, and is occasionally interspersed with descriptive paragraphs of their isolated location often with little regard for proper sentence structure - this is not a criticism, just an observation, but I hope it conveys something of the slightly unusual construction of this novel.

Over the course of the week we observe the individual characters, and far from all come out of the experience with shinning colours. The otherwise self confident Richard has his eyes opened as to how he treats others, and his previously adoring new wife sees him in a new light. Their self-centred daughter may or may not be a better person after the events of the week.
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45 of 49 people found the following review helpful By Victoria Blessing on 8 Jun. 2012
Format: Kindle Edition Verified Purchase
At first i thought I was in for a humdrum tale of domestic angst amongst the Boden-wearing classes, but I soon realised there was a whole lot more to this story. I found it gripping, by the end - and the best yet of Haddon's books. It is very cleverly done - the author handles the constantly switching narrative point of view very skilfully, and his dissection of the emotions and foibles of each character is superb. None of the characters is immediately likeable but all the same I found myself feeling sympathy and empathy. There were tears! A great read, all in all. Just don't read it when you are on holiday with your extended family in a remote cottage.
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54 of 60 people found the following review helpful By Archy on 8 Nov. 2012
Format: Hardcover Verified Purchase
I loved the first book, but to say I was disappointed with this is an understatement. It's not so much the plot, an inconsequential tale of an estranged brother and sister and their respective families (dysfunctional, naturally) going to Herefordshire for a week in a cottage. A few skeletons emerge from cupboards, but no one seems to really change much. It's not so much the characters, though it's hard to remember who's who a lot of the time, so sketchily are they drawn. It's not so much the wealth of irrelevant and unnecessary realistic detail - is Exile on Main Street the best double album ever, or is it Physical Graffiti etc (try The White Album, Mark.) It's more all of this together, combined with an artsy, convoluted writing style that made me want to give up plenty of times. But I ploughed on, hoping the admittedly slight plot would make up for the pretentiousness of the style. It didn't.

It remeinded me a little of Alice Thomas Ellis, with more up-to-date characters. And boy is it up to date. It practically thrusts its modernity down your throat. You know, short paragraphs that skip from character to character; an ever changing tense, sometimes past, sometimes present. Ruminations and stream-of consciousness (not that that's modern) and that wealth of realistic detail that seems there more to pad the whole thing out. No speech marks, naturally. Those useful little squiggles seem to have little place in a modern book intended to be artistic. Instead we have italics. Whatever next? How about all nouns in bold? Really, I get so tired of writers messing with the form instead of letting the story, the characters, the description do the job. It's not as though Mark Haddon can't write - I just don't understand why he had to wrap up this rather humdrum tale in such artiness. I don't often give a book only one star, but this really brassed me off.
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