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Product Description
Product Description
"An intelligent and readable approach to the digitization of images...A useful overview of a critical subject."-- New York Times Book ReviewEnhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs.Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. It describes the technology of the digital image in detail and looks closely at how it is changing the way we explore ideas, at its aesthetic potential, and at the ethical questions it raises.
About the Author
William J. Mitchell was the Alexander W. Dreyfoos, Jr., Professor of Architecture and Media Arts and Sciences and directed the Smart Cities research group at MIT's Media Lab. He authored many books, including The World's Greatest Architect (2008) and Placing Words: Symbols, Space, and the City (2005), both published by the MIT Press.
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Pliny the Elder tells a mythic tale: a Corinthian maiden traces the shadow of her departing lover. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Pliny the Elder tells a mythic tale: a Corinthian maiden traces the shadow of her departing lover. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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16 of 16 people found the following review helpful
The consequences of digital
23 Nov 2002
Format:Paperback
Mitchell's book might be thought of as two books. It is mainly about the meaning of photography at a time when pictures can be so easily manipulated and changed. It's really a philosophical discussion of truth and ethics. However, the middle section of the book is more about the technical aspects of 2D and 3D graphics, with explanations of the fundamental concepts that underlie digital images and compositing techniques, as well as computer modeled and rendered scenes.
And fortunately, both sections are great. THE RECONFIGURED EYE is valuable both as a reconsideration of photographic truth in a the context of new technologies, and as a book to help photographers, graphic designers, architects, and anyone working with photographs to understand how the basic functions of 2D and 3D software work and why. Though I wish there were even more photos of some of the paintings and photographs he refers to, there are many great pictures of paintings, photos, and rendered scenes to illustrate what he describes in the text. This is definitely one of the more thoughtful books on digital images and there's a lot of good stuff here to think about.
10 of 10 people found the following review helpful
A Must-Have for Digital Artists
23 Jun 2000
Format:Paperback
I can't believe that no one has written a review here of this essential book! Anyone creating, curating, writing about, or simply trying to appreciate computer-based art work should own this text. Mitchell weaves together theory, history, and technique to explain the fundamentals of this new field. His scholarship and knowledge of the area are unbeatable.
1 of 1 people found the following review helpful
Still a classic
22 April 2006
Format:Paperback
It's hard to believe that this book was published more than a decade and a half ago -- and it's still relevant! I recently re-read this book after allowing it to lay fallow on my shelves for some time, and found that there's solid information in here, available with anyone with the vision to draw upon it.
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