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| 1. Dr. Dre Intro |
| 2. The City ft. Kendrick Lamar |
| 3. Drug Test ft. Dr. Dre, Snoop Dogg and Sly |
| 4. Martians Vs Goblins ft. Lil Wayne and Tyler The Creator |
| 5. Red Nation ft. Lil Wayne |
| 6. Dr. Dre 1 |
| 7. Good Girls Go Bad ft. Drake |
| 8. Ricky |
| 9. The Good, The Bad, The Ugly |
| 10. Heavy Artillery ft. Rick Ross and Beanie Sigel |
| 11. Paramedics ft. Young Jeezy |
| 12. Speakers On Blast ft. Big Boi and E - 40 |
| 13. Hello ft. Lloyd |
| 14. All The Way Gone ft. Mario and Wale |
| 15. Pot of Gold ft. Chris Brown |
| 16. Dr. Dre 2 |
| 17. All I Know |
| 18. Born In The Trap |
| 19. Mama Knows ft. Nelly Furtado |
Review Then there were the delays. It took Game (no 'The' these days) nearly three years to complete this project, a 21-track deluge of passionate wordplay and sullen reflection, set against a glossy backdrop of polished West Coast soul and thumping drums. The artist has never shied away from his chequered past, often celebrating his gang affiliation and glorifying his police record, and it's more of the same on The R.E.D. Album. "Yeah, I got two gun charges, three felonies, just got off probation," he proudly states on Heavy Artillery. It's not entirely heavy, though. Martians vs. Goblins, featuring Lil Wayne and Odd Future leader Tyler, the Creator, is rooted in offbeat funk and heavy on the eye-popping punch lines. "I suck? Where's the f***ing Ring Pops / You got a better chance of getting a copy of Detox," Tyler raps, referencing the much-delayed Dr. Dre album.
Overall, The R.E.D. Album stands as a solid return for its maker, as long-time listeners will connect with his no-frills lyrics and unsettling artistic demeanour. He's at his best when he mangles the instrumentals with menacing abandon; less so when he's dangerously drifting into mainstream RnB music. While Pot of Gold works as an efficient coming-of-age tale, Hello and All the Way Gone sound somewhat forced. Game also seems influenced by the rappers he features, often emulating their voices and cadences: on the jazzy Mama Knows, for instance, he sounds eerily similar to Nas. When left on his own, however, Game proves he's still as magnetic as ever, whether he's carrying the torch for the West Coast or proclaiming himself one of the industry's best rappers. The game doesn't change, just the players.
--Marcus J. Moore
Find more music at the BBC This link will take you off Amazon in a new window
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