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The Quarry by Banks, Iain (2013) Hardcover [Hardcover]

Iain Banks
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Hardcover
  • Publisher: Little, Brown; First Edition (repri edition (1000)
  • ASIN: B00IIBCN08
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 3,645,421 in Books (See Top 100 in Books)

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0 of 1 people found the following review helpful
5.0 out of 5 stars Review: The Quarry by Iain Banks 4 May 2014
The Quarry is Iain Banks’s final novel, finished off after he received the news that he was dying of a rare metastatic gall bladder cancer. That background, combined with the fact that I’ve loved many of Banks’s previous novels, makes it hard to write a fair review. But I will try.

The plot is straightforward: Guy, father to teenage Kit, is dying of cancer. Guy invites his old friends to stay with Kit and him, for something resembling a pre-death wake. The relationships between the friends are explored, and their shared past is raked over. The plot, however, is almost irrelevant. It is the detailed characterisation, perfect dialogue and evocative description which do all the work in this novel. The plot is almost beside the point.

The first Banks novel I read was the first he wrote: The Wasp Factory. The Quarry shares much with The Wasp Factory: both are Bildungsromans exploring the nature of the relationship between a strange father and a strange son. This is the sort of thing Banks excels at, as I mentioned in my review of Stonemouth earlier this year. The Quarry is much less extreme than The Wasp Factory: the father is a dying misanthropic bastard rather than a lifelong pathological sadist, and the son appears to have a mild form of autism rather than being a psychopathic murderer. Both The Wasp Factory and The Quarry explore themes of ritual and religion in some depth, as well as the fine line between life and death.

But this is not The Wasp Factory. It isn’t a Gothic powerhouse of a novel featuring graphic murder and torture at every turn. Like Stonemouth, it’s a quiet, subtle novel that explores the absurd horror of everyday life without resorting to comically dark metaphor.
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