Received wisdom has it that Tony Hancock's feature films aren't as funny as his TV and radio shows. Maybe so, but by any standards The Rebel - with a screenplay by Hancock regulars Galton and Simpson - is still pretty damn brilliant and takes the mickey out of modern art in inspired fashion. Hancock plays a bowler-hatted commuter with a boring clerical job in the City. Secretly, though, he yearns to be an Artist, and one day he chucks it all in and goes to Paris, where he starts wearing a beret, calls everyone 'mon brave', and founds the 'Infantile School of Painting', which basically means he chucks paint around and rides bicycles through the results. Among the film's treats are Dennis Price as a Salvador Dali figure who sleeps in a fishtank, Nanette Newman as a beatnik in blue lipstick and an ahead-of-its-time 'pink triangle' joke. The story goes off the boil when it's forced to tidy up all its loose ends in the later stages, but it's a must for lovers of British comedy.