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". . . I can only compare the body's single-mindedness, its cold indifference and absolute contempt for the well-being of the spirit, to some unyielding, authoritarian regime. And you can petition it all you like, offer up the most heartfelt and dignified and logical sort of appeal - and get no response at all. If anything, a kind of laugh is what you get."
I wasn't able to buy all this Kafka business. To me it seemed pasted-on and extrinsic to the spirit of the rest of the novel. But this is quibbling. "The Professor of Desire" is a delightful story, in which Philip Roth exuberantly displays his many quite un-Kafkaesque gifts. First among them is a magical gift for characterization; it seems that every character in this novel, and there are many, springs effortlessly to life as a complete individual, from Herbie Bratasky on the first page to Mr. Barbatnik on the last.And then there's Roth's eerie gift for dialogue. His characters' words seem always to flow from their own personalities, not the author's, and their speeches are often masterpieces of comic invention.
Though perhaps it falls short of Roth's best, this is a wonderful book. I heartily recommend it.
"Indiscreet, unprofessional, unsavory as portions of these disclosures will surely strike some of you, I nonetheless would like, with your permission, to go ahead now and give an open account to you of the life I formerly led as a human being. I am devoted to fiction, and I assure you that in time I will tell you whatever I may know about it, but in truth nothing lives in me like my life."
This passage may as well be an introduction to this book, one of Roth's most potent and stirring novels from his earlier days. Through the chronicles of David Kepesh's early life, Roth examines the paradoxes of love and desire, the bridges between literature and life, and our nearly-lunatic search for identity.
In this book, we follow Roth's familiar character David Kepesh from his childhood in the Catskills hotel owned by his parents, to a post-college year of sexual freedom in Scandinavia, to a tempestuous/disastrous marriage to Helen Baird, followed by a winter of despair, and concluding with his relationship with Claire Ovington, marked by a love that is blemished by waning desire.
In the end, although more questions are posed than can ever be answered, Roth's novel can resonate with anyone who has ever grappled with the mysteries of love and self-discovery - namely, everyone. And along the way, the reader can revel in the wit, wry humor, and intellect adored by every Roth fan.
The Professor of Desire is blessedly free of politics. In it, Roth sticks with the subjects he knows best: sex and relationships. Young David Kepesh is a sexually frustrated young student. That changes while studying abroad in Swinging London, where he finds that what they say about Swedish girls is true. Things take a turn for the worse after the end of his disastrous marriage finds him crushed by loneliness in New York. With the help of a psychiatrist, Kepesh tries to discover if he will ever be able to commit to anyone or experience happiness.
The Professor of Desire finds Roth at a more mature place in his career. Gone is the odious kvetching about his parents that polluted so much of Portnoy's Complaint; the parents in this book are treated with sympathy. At one point, a character points out to Kepesh that there is no point in mining the workings of a Jewish family for his fiction anymore. He is also less homophobic in this novel - but not much so. There are still things about Roth's style that take getting used to; I don't think there's anything profound in his refusal to offset dialogue into separate paragraphs - it just makes it harder to keep track of who is speaking. However, The Professor of Desire is a short, lyrical novel that is the best of anything I've read of his so far.
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