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First and foremost, and I've said this in several reviews, if you want to experience the true sound of Skinny Puppy, by all means, DO NOT start with Process. This is more important with Process than any other album. Their sound here is *far* different from their releases. This is due to several factors: 1) D.R. Goettel (R.I.P.) was not a part of much of its making. 2) There are extremely prominent elements of pop-like rhythm and very heavy metal influences not seen in any other album, even Rabies. 3) Most of Process was put together from pieces of what was left, and released AFTER Skinny Puppy disbanded.
However... despite all these things, Process will always have a place in my heart. The music here has the meaning and the impact of any other album and can hold its own with even the greatest (TDP, VIVIsect, and LR...)
Just as the albums listed above paved the way and set a possibly untouchable example of electronic music, Process sets the same example in the realm of what I've come to know (loosely, anyway) as electronic metal. Yes, the songs are, on average, MUCH more accessible than previous Puppy... and I, for one, welcome the change... because Process is a journey into some of the extremes of Skinny Puppy. The entire album, listened to as a whole, is nothing less than a ride up and down a sinister rollercoaster.
With Jahya, a very foreshadowing introduction, the ride begins. Thundering guitars, wonderous synths, and dark, cryptic lyrics... sewn in here and there with trademark SP-style samples. Then to Death, an apocalyptic storm of furious guitar, absolutely beautiful lyrics (among SP's greatest), and movements that start and stop so dramatically at times that the listener is left with whiplash. Then it stops altogether, and Candle begins... probably the most accessible song SP ever made (except maybe Testure). The lyics have the ring of Pink Floyd's "The Wall", tainted with Ogre's nigh-indestructible stream of consciousness. Again, very guitar oriented, and consistent in its beat and its flow. From here things go slightly downhill with Hardset Head, one of the weakest points of The Process. The synths are disruptive to the song in places, and the repetitive pop influence in the song disrupt the album in general. Don't get me wrong, it's not *bad* but it does have frequent encounters with my skip button. It seems the trend here is that the more metal-imbued, guitar-driven songs tend to be the best of the album. The one exception: Cult, another Skinny Puppy extreme, being the most unobtrusive, most tranquil song I can remember hearing from them... even when the guitar suddenly blasts in, it flows with the song, which has a shocking lack of SP's patented noise. Prepare yourself, however, for Process, and especially Curcible, are the opposite end of the pendulum again. In both these songs, much of the lyrics are somewhat chanted in a unison pool of Ogre's voice looped over itself, in different pitches... over music that is heavy start-and-stop, and very unforgiving. The end of Curcible, however, is a bit surprising in its peacefulness. On to Blue Serge, a beat-driven, cacophonic (especially in the synths) song that I've honestly never been able to enjoy. I think it's mainly due to Ogre's lyrics, which seem uncharacteristically lifeless and unexpressive here. Morter, although I find it a little more interesting, falls (albeit not as deep) into this same trap. Then the pendulum swings again to Amnesia, which has a feel unlike anything SP has done... almost to the point of being alien even to this album. Its independence alone increases my interest in it. And finally, there is a typical SP noise outro, this time given the name of Cellar Heat.
Altogether, The Process is a very solid effort, but prepare to be caught unaware by its completely atypical style. No matter what, the most adhering thought that seems to circulate about this album is that it is one of the best the electronic/metal side has ever known... and others in the genre could learn much from the great Skinny Puppy.
Brap on until the very end.
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