The Princess and the Pirate is directed by David Butler and produced by Samuel Goldwyn and Don Hartman. It stars Bob Hope, Virginia Mayo, Walter Slezak, Walter Brennan and Victor McLaglen. Filmed in Technicolor, it sees Victor Milner and William E. Snyder on cinematography and the music is scored by David Rose. Story sees Hope as failing stage performer Sylvester Crosby, who whilst fleeing his bad reviews in Europe, gets involved in piracy, treasure maps and the safe keeping of a runaway princess (Mayo). With the feared pirate known as The Hook (McLaglen) after their gizzards, lawlessness, peril and high jinks will no doubt follow.
Samuel Goldwyn wanted, and got, big things for The Princess and the Pirate. Marking it out for booming Technicolor was one thing, getting Bob Hope to star was another. Having loaned out Billy Wilder and Gary Cooper to Paramount, Goldwyn was able to call on the services of Hope for two movies. Having used him the previous year in They Got Me Covered (where Dorothy Lamour co-starred), this was the final part of that deal. Also of note is that co-producer Don Hartman was part of the writing team, because having co-written Hope and Crosby movie Road to Morocco (1942), this picture is structured very similar to the style of that successful Hope & Crosby series of film's. Suffice to say that fans of the "Road To" movies are more than likely to enjoy this one too.
Hope had such a long career in film it often gets forgotten that he has some great movies outside of those "Road To" film's. Sure there were some duffers, but for a Bob Hope fan there are many treasures lurking within his considerable output. Treasures mostly found when he was doing period comedy, such as in the likes of The Paleface, Monsieur Beaucaire , and here with this exuberant pirate adventure. It's one of his best film's, but not just because of he himself. Sure he's at the top of his game, be it hopelessly using humour to try and court the radiant Miss Mayo, or quipping away in cowardly fashion when faced by the villains, he thrives on vocal delivery and mugging towards the camera, but he is helped enormously by the splendid people opposite him.
Mayo is made for Technicolor, and in what is one of her early starring roles, more than holds her own in amongst all the boys. Brennan is wonderfully cackling like, infectious and plays off of Hope's rapid-fire approach with great success, while Slezak neatly underplays it for maximum sly villainy. But it's McLaglen who is the real comedy bonus here. Full of pirate bluster and hook handed menace, he appears to be having a great time and it rounds out the comedic chaos nicely. Having a considerable budget of just under $3 million (a lot for a comedy movie at the time), it's disappointing that the film doesn't boast sweeping location work, but the sets are smart and the costuming is visually appealing. While David Rose's Oscar nominated score is suitably high-seas influenced.
Plenty of action, buffoonery and even a little song, it's a film for all the family to enjoy. A film that even today finds Hope's jokes still effective and never in danger of getting old. Tickle yee gizzards indeed. 7.5/10