First published well, in 1973 actually, this book spawned the Rob Reiner-directed cult film of the same name. It's a tongue-in-cheek fairytale of love, life, action, death and life again. Featuring the obligatory handsome Prince and supremely beautiful princess, it also boasts a Spanish sword wizard, the Zoo of Death, a chocolate-coated resurrection pill and lots of villains, who span the spectrum from evil, through even more evil to (gasp) most evil
. And then there's Fezzik, the gentle giant addicted to rhyming.
William Goldman--who's won two Oscars for his screenwriting (Butch Cassidy and the Sundance Kid and All the President's Men), and has endeared himself to dentists and their patients planetwide through his novel Marathon Man--has always claimed he merely abridged this text, extracting the "good parts" from an inventive yet wordy classic by Florinese literary superstar, S Morgenstern.
It has, however, been whispered in certain circles that Morgenstern himself is a figment of Goldman's ultra-fertile imagination. Read Goldman's original and special Anniversary introductions and make up your own mind. Oh--and don't forget his explanation as to why he's only "abridged" the first chapter of the sequel Buttercup's Baby--which appears here for the first time--and why it took him so long to get round to it.
Completely delightful, suitable for cynics and romantics alike. Suspension of disbelief optional. -- Lisa Gee
--This text refers to an out of print or unavailable edition of this title.
'One of the most laconic, tightly-plotted tales of mythical morality you'll ever read, an anti-establishment satire disguised as a love story, more of a scary tale than a fairy tale' (Uncut
'There's nothing fluffy about The Princess Bride. The rocket-powered narrative tricks you without being merely tricksy, and is both modern and timeless' (Neon
'A funny thriller for readers who are about ten years of age or wish they were ... Readers of a nervous disposition should be prepared to skim rapidly over the Zoo of Death episode or stick to fiction meant for grown-ups' (Spectator
'A spoof fairytale ... Terrific' (Daily Telegraph