- Hardcover: 188 pages
- Publisher: University of Chicago Press (1 Aug 1990)
- Language English
- ISBN-10: 0226675955
- ISBN-13: 978-0226675954
- Product Dimensions: 23.5 x 15.5 x 1.9 cm
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When we make phone calls and use computers, electronic devices mediate how we communicate. In each instance, we exchange symbols and information just as we have since humans began speaking and writing. What, then--besides economy of space and time--differentiates electronic communications from ordinary speech and writing?
The difference, Mark Poster argues, is the profound effect electronic mediation exerts on the very way we perceive ourselves and reality. To help decode the linguistic dimensions of our multiple forms of social interaction, he plays upon Marx's theory of the mode of production--the shift to late capitalism has a parallel in the shift from the mode of production to that of information.
Enlisting poststructuralist theory, he links four modes of communication with four poststructuralists: TV ads with Baudrillard, data bases with Foucault, electronic writing with Derrida, and computer science with Lyotard. "Mode of Information" points the way to a poststructuralist strategy for writing history, a framework well suited to unearthing structures of domination and the means to their disruption.
"An informed, insightful, provocative account of phenomena that have transformed virtually every area of public and private life on our time."--Robert Anchor, "American Historical Review"
"The importance of Poster's book is unmistakable for he skillfully negotiates between and juxtaposes two wide theoretical domains--electronically mediated communications and poststructuralist theory--about which much has been written, but hardly with the acumen that he brings to bear in a long-awaited critical rapprochement."--Charles J. Stivale, "Criticism" --This text refers to an out of print or unavailable edition of this title.
The difference, Mark Poster argues, is the profound effect electronic mediation exerts on the very way we perceive ourselves and reality. To help decode the linguistic dimensions of our multiple forms of social interaction, he plays upon Marx's theory of the mode of production--the shift to late capitalism has a parallel in the shift from the mode of production to that of information.
Enlisting poststructuralist theory, he links four modes of communication with four poststructuralists: TV ads with Baudrillard, data bases with Foucault, electronic writing with Derrida, and computer science with Lyotard. "Mode of Information" points the way to a poststructuralist strategy for writing history, a framework well suited to unearthing structures of domination and the means to their disruption.
"An informed, insightful, provocative account of phenomena that have transformed virtually every area of public and private life on our time."--Robert Anchor, "American Historical Review"
"The importance of Poster's book is unmistakable for he skillfully negotiates between and juxtaposes two wide theoretical domains--electronically mediated communications and poststructuralist theory--about which much has been written, but hardly with the acumen that he brings to bear in a long-awaited critical rapprochement."--Charles J. Stivale, "Criticism" --This text refers to an out of print or unavailable edition of this title.
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Recent efforts to generate a new theory of the contemporary social world have met with great resistance. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Recent efforts to generate a new theory of the contemporary social world have met with great resistance. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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9 of 10 people found the following review helpful
The Mode of Information...
22 Mar 2006
Format:Paperback
Electronic communications today have, according to Mark Poster, radically altered our discursive patterns, thus reconfiguring our perceptions of ourselves and our relationships with others. The Mode of Information: Poststructuralism and Social Context argues that "new forms of language wrapping are imposing significant changes in the social field, and that poststructuralist theory is uniquely appropriate to interpret this" phenomenon. This thesis is quite provocative, but Poster's delivery is somewhat uneven.
An appreciation of this book requires at the very least a working knowledge of poststructuralism and the four theorists on which Poster focuses (Baudrillard, Foucault, Derrida, and Lyotard). Poster only rather briefly addresses the relevant theories themselves, and to a reader unfamiliar with the discipline, Poster's focus on application and his jargon-laden text will be somewhat inaccessible.
Poster argues, as I indicated, somewhat unevenly. Much of the book is spent exposing minute shortcomings of Marxist, Weberian, and various other structure-oriented theories of communications, and the reader is often left wondering when Poster himself will articulate a theory. Therein lies a significant concern; Poster decries totalizing theories, arguing that such theorization is a feature of the "new, linguistically-based, structures of domination" in our contemporary society. Thus, the latter two-thirds of the book apply poststructuralist theory to individual forms of electronic communication, and Poster never provides a framework for understanding society as a whole.
This, of course, is a hallmark of postmodern theory, and many readers will undoubtedly find sections of this book quite outlandish, particularly the chapters on Derrida and Lyotard. The chapters on Baudrillard and Foucault are, however, quite well argued and provide some excellent analysis of the impact of television advertisements and databases. The theses of these sections are relatively innocuous, and even a reader who strongly disagrees with the tenets of poststructuralism will find here something of value.
Generally speaking, The Mode of Information will be welcomed by those who embrace poststructuralism and avoided by those who reject it. For the more ambivalent reader, Poster's book is a thought-provoking investigation into our contemporary means of communication.
An appreciation of this book requires at the very least a working knowledge of poststructuralism and the four theorists on which Poster focuses (Baudrillard, Foucault, Derrida, and Lyotard). Poster only rather briefly addresses the relevant theories themselves, and to a reader unfamiliar with the discipline, Poster's focus on application and his jargon-laden text will be somewhat inaccessible.
Poster argues, as I indicated, somewhat unevenly. Much of the book is spent exposing minute shortcomings of Marxist, Weberian, and various other structure-oriented theories of communications, and the reader is often left wondering when Poster himself will articulate a theory. Therein lies a significant concern; Poster decries totalizing theories, arguing that such theorization is a feature of the "new, linguistically-based, structures of domination" in our contemporary society. Thus, the latter two-thirds of the book apply poststructuralist theory to individual forms of electronic communication, and Poster never provides a framework for understanding society as a whole.
This, of course, is a hallmark of postmodern theory, and many readers will undoubtedly find sections of this book quite outlandish, particularly the chapters on Derrida and Lyotard. The chapters on Baudrillard and Foucault are, however, quite well argued and provide some excellent analysis of the impact of television advertisements and databases. The theses of these sections are relatively innocuous, and even a reader who strongly disagrees with the tenets of poststructuralism will find here something of value.
Generally speaking, The Mode of Information will be welcomed by those who embrace poststructuralism and avoided by those who reject it. For the more ambivalent reader, Poster's book is a thought-provoking investigation into our contemporary means of communication.
Humans Inside Machines
17 Oct 2009
Format:Paperback|Amazon Verified Purchase
Everyone who wants to understand how subjectivity, the "in here" of each of us, is shaped in the late modern age must read two chapters of this book. What McLuhan did for media, Poster does for information; he explains how databases and computer science set us up and bring us forth in their own distinctive ways. Saying he "explains" is perhaps too strong; the shaping of our "in here" is an elusive matter. But if you're looking to understand critics who complain that our everyday life is "informatized" and that the self is "multiplied by databases," these chapters are superior to anything I've read eleswhere, especially given their brevity. The remainder --an introduction to post-industrial society and chapters on TV commercials and electronic writing--are excellent and will be useful to many.
Poster's perspective is commonly known as "post-modern," and he enlists four seminal thinkers to do the heavy lifting: Jean Baudrillard (TV commercials), Michel Foucault (databases), Jacques Derrida (electronic writing) and Francois Lyotard (computer science). Readers who are not familiar with this perspective or these authors may find themselves befuddled. Poster doesn't do much handholding; the book is a terse 150+ pages. To remedy this situation, readers may want to bone up with Robert Hollinger Postmodernism and the Social Sciences: A Thematic Approach (Contemporary Social Theory) and/or Pauline Marie Rosenau, Post-Modernism and the Social Sciences.
Once you're up to speed, anyone thinking hard about how the self, the hero of modernism, emerges within post-modern or more modestly late modern conditions will find Poster's slender volume an important contribution.
Poster's perspective is commonly known as "post-modern," and he enlists four seminal thinkers to do the heavy lifting: Jean Baudrillard (TV commercials), Michel Foucault (databases), Jacques Derrida (electronic writing) and Francois Lyotard (computer science). Readers who are not familiar with this perspective or these authors may find themselves befuddled. Poster doesn't do much handholding; the book is a terse 150+ pages. To remedy this situation, readers may want to bone up with Robert Hollinger Postmodernism and the Social Sciences: A Thematic Approach (Contemporary Social Theory) and/or Pauline Marie Rosenau, Post-Modernism and the Social Sciences.
Once you're up to speed, anyone thinking hard about how the self, the hero of modernism, emerges within post-modern or more modestly late modern conditions will find Poster's slender volume an important contribution.
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