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In this devastatingly funny classic, Frederick Crews skewers the ego-inflated pretensions of the schools and practitioners of literary criticism popular in the 1960s, including Freudians, Aristotelians, and New Critics. Modelled on the "case-books" often used in freshman English classes at the time, "The Pooh Perplex" contains 12 essays written in different critical voices, complete with ridiculous footnotes, tongue-in-cheek "questions and study projects" and hilarious biographical notes on the contributors. With incisive essays such as "A Bourgeois Writer's Proletarian Fables" and "A la recherche du Pooh perdu", by distinguished authors such as Duns C. Penwiper and P.R. Honeycomb, "The Pooh Perplex" is sure to delight everyone who has ever had to suffer through a freshman English class - and many of their teachers, too. This edition contains a new preface by the author that compares literary theory then and now and identifies the real-life critics who were spoofed in certain chapters.
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NO ONE in these days, I feel sure, will care to complain that there is a lack of critical attention to Winnie-the Pooh. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
NO ONE in these days, I feel sure, will care to complain that there is a lack of critical attention to Winnie-the Pooh. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
The idea of making people laugh by producing parodies of literary criticism does not seem a promising one. And yet "The Pooh Perplex" succeeds brilliantly. Taking Milne's well known stories, a range of different interpretations are developed: Christian Allegory (Eyore's birthday as the visit of the Magi), Marxist (these cannot be great stories as they do not feature Midlands' coal fields), Psychoanaltical (Kanga as castrating mother) and many more. Some are parodies of specific writers, such as FR Leavis, but you do not need to know this to enjoy the fun. You do need to have read the Pooh books for this to work but, if you have, then you will enjoy this enormously. It is great to see it back in print - long may it remain so!
Most Helpful Customer Reviews on Amazon.com (beta)
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8 reviews
28 of 28 people found the following review helpful
The Pooh Perplex
5 Dec 2005
Format:Paperback
I first read The Pooh Perplex in the summer before my freshman year of college; my father presented it to me as an encapsulation of the reasons why he had abandoned his English major. I had not yet encountered Leavis, Crane, and the other critics so marvelously parodied in Crews's book, but I spent a good few hours shrieking with laughter at Myron Masterson's vision of Kanga as castrating "'Mom' figure" and Simon Lacerous's characterization of the bear himself as a flabby old Tory with a string of knightly titles and an overfondness for condensed milk.
Then I came to college and took a Literary Criticism and Theory class; with wonder, I recognized in my casebook more and more of the bizarre characters inhabiting Crews's topsy-turvy hermeneutic milieu. Oddest of all, I found that my reading of The Pooh Perplex had actually provided me with a fairly solid overview of structuralism, Marxist theory, and other critical concoctions my professor obliged me to imbibe. And when I gave Crews's work a second reading, I discovered a myriad of hilarities that had previously passed me by.
Though it is depressing that Crews's zany satire can help a student of literature grasp the principal critical theories of the past fifty years, I disagree with my father's justification for forsaking his major. Many critics unintentionally self-parody; to endure their bombast, the reader must absorb the good, dismiss the inane, and find in the ludicrous a scrap or two of humor. Fortunately, we have Crews to assist us with that last task. Satire is a dying art; read The Pooh Perplex to understand why it is still necessary.
Then I came to college and took a Literary Criticism and Theory class; with wonder, I recognized in my casebook more and more of the bizarre characters inhabiting Crews's topsy-turvy hermeneutic milieu. Oddest of all, I found that my reading of The Pooh Perplex had actually provided me with a fairly solid overview of structuralism, Marxist theory, and other critical concoctions my professor obliged me to imbibe. And when I gave Crews's work a second reading, I discovered a myriad of hilarities that had previously passed me by.
Though it is depressing that Crews's zany satire can help a student of literature grasp the principal critical theories of the past fifty years, I disagree with my father's justification for forsaking his major. Many critics unintentionally self-parody; to endure their bombast, the reader must absorb the good, dismiss the inane, and find in the ludicrous a scrap or two of humor. Fortunately, we have Crews to assist us with that last task. Satire is a dying art; read The Pooh Perplex to understand why it is still necessary.
12 of 12 people found the following review helpful
Brilliant and funny
30 Jan 2006
Format:Mass Market Paperback
It was probably the publication of Postmodern Pooh, Frederick Crews's second venture into Pooh studies, that explains the renewed availability of The Pooh Perplex more than 40 years after its first appearance. But whatever the reason, it is an excellent thing that modern readers can get hold of it, both because it is a brilliant and witty book in itself and also because it makes a natural companion for Postmodern Pooh.
For those who have not met the book before it should be explained that it is a series of parodies of different styles of literary criticism (those that were fashionable in the 1960s) applied to Winnie-the-Pooh and The House at Pooh Corner, collected together as a "case book" of the kind that was then popular for elementary English courses, and accompanied by Questions and Study Projects prepared by the editor, ostensibly Crews himself, but in reality as much of a parody as the articles themselves.
No doubt one would need to be familiar already with the parodied styles to get the most from the book, but no matter; one can get a great deal of amusement from it without any specialist knowledge, and some of the sources are fairly obvious even to non-specialists, the Freudian analysis by "Karl Anschauung", for example, or the proletarian analysis by "Martin Tempralis". On the other hand, readers born since the book was written may not easily recognize F. R. Leavis thinly disguised as "Simon Lacerous".
The non-specialist reader will easily be tempted to believe that Crews is exaggerating. Surely no serious expert on English literature could really express some of the sillier ideas expressed in this book? Alas, he amply demonstrates with real quotations from real (and apparently serious) publications that they could and they did.
For those who have not met the book before it should be explained that it is a series of parodies of different styles of literary criticism (those that were fashionable in the 1960s) applied to Winnie-the-Pooh and The House at Pooh Corner, collected together as a "case book" of the kind that was then popular for elementary English courses, and accompanied by Questions and Study Projects prepared by the editor, ostensibly Crews himself, but in reality as much of a parody as the articles themselves.
No doubt one would need to be familiar already with the parodied styles to get the most from the book, but no matter; one can get a great deal of amusement from it without any specialist knowledge, and some of the sources are fairly obvious even to non-specialists, the Freudian analysis by "Karl Anschauung", for example, or the proletarian analysis by "Martin Tempralis". On the other hand, readers born since the book was written may not easily recognize F. R. Leavis thinly disguised as "Simon Lacerous".
The non-specialist reader will easily be tempted to believe that Crews is exaggerating. Surely no serious expert on English literature could really express some of the sillier ideas expressed in this book? Alas, he amply demonstrates with real quotations from real (and apparently serious) publications that they could and they did.
18 of 22 people found the following review helpful
How dare this book ever be out of print?
13 Feb 1999
Format:Mass Market Paperback
This is a brilliant send-up of the pretentious critiques that has masqueraded as literary criticism since pseudo-intellectualism was first invented by which mental-nonentities could parade as our moral superiors. Just read it. Absolutely convincing, and a breath of fresh air. You will love it - unless you are one of the poseurs, of course. But it will still be devastatingly funny.
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