In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and on the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortunes across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and four daughters tell their story in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenaged Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realised, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half when Nathan Price is still at the centre of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement and lyrical prose that has made her previous novels so successful. --Alix Wilber, Amazon.com
'The Poisonwood Bible is a book club classic ... The novel begins as a family saga but evolves into a polemic about how African lives are ruined by Western greed and fear ... There is humour, history, love and loss. The characterisation is exquisite.' --The Times