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A woman is watching a report on television of the death of a mother and daughter; apparently both had died at the mother's hand. Also on the screen is the surviving member of the family, a widower described as Mark Bretherick. Watching with her husband, the woman, Sally, has to bite back the words that spring to her lips: this man is not Mark Bretherick! How does she know? Because she had enjoyed a brief sexual affair with the real possessor of that name some time before -- an affair (needless to say) she has not revealed to her husband. Sally is forced to hang on to her secret, and she anonymously informs the police that all is not as it appears to be in this case.
It is Sally's plight that so comprehensively engages the reader here, but readers of the earlier books by Sophie Hannah will be pleased to note the reappearance of her reliable copper Simon Waterhouse, who ensures that the sequences involving the investigation are quite as compelling as the those of a woman desperately trying to keep her indiscretion secret (while doing the right thing).
On the evidence of these three books, Sophie Hannah has a long career as a novelist ahead of her (perhaps to run in tandem with her alternative career as a poet). --Barry Forshaw
'Brilliantly creepy'
(Red Magazine )Hannah's greatest strenth is the way she uses the conventions of the crime genre to produce novels that are indulgent pleasures, but with an extra edge. The Point of Rescue isn't simply a woman-in-jeopardy yarn about an overworked mother whose dreams of escape turn into a nightmare that threatens to destroy her life (although it works brilliantly on this level), it is also about the thrill of transgression, and the dangers that lurk within the most appealing of fantasies.'
(Yorkshire Post )|
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