In 'The Playroom', John Connor has used his intimate knowledge of police procedures and operations to create a convincing and enthralling account of an investigation into a missing child. The daughter of a judge has been abducted, and while the investigation into her disappearance is detailed and fascinating, the more interesting plot strand concerns DC Karen Sharpe (who Connor introduced in his debut novel, 'Phoenix'), who is delving into a 'recovered memory' rape case from ten years before. As the novel progresses, these strands are brought together for a satisfying (if bloody) conclusion.
Karen Sharpe is an excellent creation: scarred by her experiences undercover in Northern Ireland and flawed as a human being. She doesn't behave in the way we'd expect a more standard, 'comfortable' series character to, and even takes a little warming to. But in the end she is dogged and brave (and downright 'hard') enough to earn the reader's respect. The background characters are well-drawn, and Connor has a knack for including enough convincing detail on crime-scenes and briefings to keep us hooked in the investigations without overloading the plot. The pace is relentless and the book's plot and pared-down, well-written prose never sag. (And other residents of Leeds will gain extra pleasure from spotting all the real-life places used throughout the novel).
All in all, this stands head and shoulders above most recent police procedurals - although a few scenes may well shock the more casual reader. Connor, to his credit, never shies away from the effects of violence, and the way events pan out is more often realistic than simple or easy. But if you can handle a fascinating, detailed, dark thriller, then you should enjoy 'The Playroom' immensely.