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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Astronomy Domine (Mono) (2007 Remaster) | |||
| 2. Lucifer Sam (Mono) (2007 Digital Remaster) | |||
| 3. Matilda Mother (Mono) (2007 Remaster) | |||
| 4. Flaming (Mono) (2007 Digital Remaster) | |||
| 5. Pow R. Toc. H (Mono) (2007 Digital Remaster) | |||
| 6. Take Up Thy Stethoscope And Walk (Mono) (2007 Digital Remaster) | |||
| 7. Interstellar Overdrive (Mono) (2007 Digital Remaster) | |||
| 8. The Gnome (Mono) (2007 Digital Remaster) | |||
| 9. Chapter 24 (Mono) (2007 Digital Remaster) | |||
| 10. The Scarecrow (Mono) (2007 Digital Remaster) | |||
See all 11 tracks on this disc
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| Disc: 2 | |||
| 1. Astronomy Domine (Stereo) (2007 Remaster) | |||
| 2. Lucifer Sam (Stereo) (2007 Digital Remaster) | |||
| 3. Matilda Mother (Stereo) (2007 Remaster) | |||
| 4. Flaming (Stereo) (2007 Digital Remaster) | |||
| 5. Pow R. Toc. H (Stereo) (2007 Digital Remaster) | |||
| 6. Take Up Thy Stethoscope And Walk (Stereo) (2007 Digital Remaster) | |||
| 7. Interstellar Overdrive (Stereo) (2007 Digital Remaster) | |||
| 8. The Gnome (Stereo) (2007 Digital Remaster) | |||
| 9. Chapter 24 (Stereo) (2007 Digital Remaster) | |||
| 10. The Scarecrow (Stereo) (2007 Digital Remaster) | |||
|
See all 11 tracks on this disc
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Product Description
Review
For all who know the tragic story of Syd Barrett's meteoric rise and fall in the world of art rock, it's generally agreed that, between the first psychedelic strains of 'Arnold Layne' and the mumbled torture of 'Late Night', his creative zenith was The Piper At The Gates Of Dawn. Recorded in the run-up to the Summer Of Love in a studio next to the one where the Beatles were putting the finishing touches to Sgt Pepper, this album remains a pinnacle of English psychedelic music. It's filled with the child-poet musings of a mind not yet oppressed, but free to wander between fairy tales and cosmic explorations and still be home in time for tea.
Born to the tail end of the blues boom, Syd's Pink Floyd (originally the Tea Set), were tailor-made for the nascent underground. Free from a (visible) desire to make with the chart success (man), they also had the requisite backgrounds to get them in on the ground floor with the middle class tastemakers. Along with the Soft Machine they forged their sound - stuttering swooping telecasters and eastern-tinged organ wig outs over hypnotic beds of rhythm - in the clubs of West End London. By this point they had wooed EMI into signing them and, following the bad sales ploy of having their first single, 'Arnold Layne' banned as it reached number 20, they finally struck top ten territory with 'See Emily Play'. It was lucky that, by this time, the album was mostly completed, because it was this sudden propulsion into the limelight that was to prove poor Syd's undoing. Enforced 'package' tours with other chart acts (as well as the equally bemused Jimi Hendrix Experience) were to prove too much exposure for the deeply insecure artist.
The first side opens with the outer space chatter of a thousand space missions intoning the names of the stars and we're plunged in to a prime slice of mid-sixties freak-out territory. Syd's guitar is fabulously lithe. There follows a series of tales of cats, silver shoes, unicorns, mice called Gerald, bikes, gnomes, scarecows and the I Ching. Sounds horrible, doesn't it? But in 1967 this was fresh and new, and what's more it's delivered utterly charmingly and with no hint of received American pronunciation merely to be cool. It's been said before, but this is Edward Lear for the acid generation.
Then in the black hole between these tracks we get Syd's other side, the shining, blasted sci fi tones of his guitar rumbling through the extended work out of 'Interstellar Overdrive'.
This is the paradox with Barrett. He could seemingly write material that was both poppy and deeply out there with ease. Who knows how the Floyd would have sounded had he held on. Definitely different that's for sure. But Piper remains a testament to a mind that, for a brief spell, saw no boundaries! --Chris Jones
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Product Description
In occasione del 40° anniversario del debutto su disco dei Pink Floyd viene resa disponibile una versione rimasterizzata su doppio CD di "The Piper At The Gates Of Dawn", il primo album della band pubblicato originariamente il 5 agosto 1967. La nuova edizione contiene le versioni mono e stereo del disco originale rimasterizzate da James Guthrie, lo storico ingegnere del suono dei Floyd.CD 1 - Stereo Version 1. Astronomy Domine 2. Lucifer Sam 3. Matilda Mother 4. Flaming 5. Pow R Toc H 6. Take Up Thy Stethoscope And Walk 7. Interstellar Overdrive 8. Gnome 9. Chapter 24 10. Scarecrow 11. Bike CD 2 - Mono Version 1. Astronomy Domine2. Lucifer Sam 3. Matilda Mother 4. Flaming 5. Pow R Toc H 6. Take Up Thy Stethoscope And Walk7. Interstellar Overdrive 8. Gnome 9. Chapter 24 10. Scarecrow 11. Bike
Customer Reviews
Most Helpful Customer Reviews
14 of 14 people found the following review helpful
By Chris M.
Format:Audio CD
So much has been written about 'Piper' there's not much point in me adding my ha'penny's worth, though it remains one of the great debut albums of all time in my opinion (along with 'In the Court of the Crimson King' and 'Led Zep 1'). But there's a 'but'. There's already much speculation about possible 'Experience' and even 'Immersion' editions of this album (either singly or, in the case of the Immersion ed, paired with 'Saucerful'), so why buy this now? I think enough time has elapsed now that Piper shouldn't be treated as some kind of holy artefact that cannot be sullied with (whisper it) bonus tracks or even a bonus CD. There's an awful lot in the can that could result in a 'Piper Era' package, rather than Piper on its own. BBC Radio 2's 'The Record Producers' programme (2011) gave tantalising glimpses into the 4track originals of 'Arnold Layne' and its flip side, proving they're being investigated. I (and zillions others) would far rather the remaining members of Floyd bury any misgivings they have and allow as much as possible from the band's earliest days to be put out there.
72 of 75 people found the following review helpful
Format:Audio CD
This 3-CD release makes all those grumblers about 'another fan rip-off' look a bit daft. Sure - I've owned this album on vinyl, cassette, CD (twice) and STILL wanted this the day it came out. What sold it to me? The great price, the nice packaging . . . but most of all, another excuse to reappraise the music.
The mono version (designated Disc 1) is the definitive disc for me. It just rings out with greater clarity, clearly emphasising each band member, and has better internal balance. The stereo version is fine too of course - especially for that 'demented duck' noise at the end of 'Bike' (though perhaps the swinging from left to right channels at the end of 'Interstellar Overdrive' has always been a bit corny, if fun).
The singles disc is just over half an hour long, so with two copies of the same album (at 42 mins each), you really have bought the value of a double CD. The alternate versions are fascinating, with the always slightly dense 'Apples and Oranges' benefitting from being opened up by stereo.
The packaging is very generous - I see no 'fan rip-off'! It resembles a well-bound book, and has a decent booklet attached, containing lots of interesting band pics and lyrics. There's no essay (just as well, they are usually badly-written and full of errors!!), and sadly no reference to recording dates. But let's face it - the number of books and websites out there make up for it, and it's the music that counts. Slipped in is a Syd Barrett collage booklet, which does add to the 'confectionary' atmosphere. I'm glad to have this on the shelf next to the treasured Japanese-issue mini-sleeve CDs, and hope that EMI consider using the same format for other Pink Floyd albums. I'd love an enhanced 'Saucerful of Secrets' done exactly the same way, which would wrap up the Barrett legacy properly.
(Actually, an enhanced 'Saucerful' would surely have to include the legendary unreleased songs 'Scream thy last scream' and 'Vegetable man' . . . not only replacing the easily-found poor quality bootlegs every hardcore fan has, but making lots and lots of money. An artistic and financial coup. Come on, EMI, you know it makes sense!)
The mono version (designated Disc 1) is the definitive disc for me. It just rings out with greater clarity, clearly emphasising each band member, and has better internal balance. The stereo version is fine too of course - especially for that 'demented duck' noise at the end of 'Bike' (though perhaps the swinging from left to right channels at the end of 'Interstellar Overdrive' has always been a bit corny, if fun).
The singles disc is just over half an hour long, so with two copies of the same album (at 42 mins each), you really have bought the value of a double CD. The alternate versions are fascinating, with the always slightly dense 'Apples and Oranges' benefitting from being opened up by stereo.
The packaging is very generous - I see no 'fan rip-off'! It resembles a well-bound book, and has a decent booklet attached, containing lots of interesting band pics and lyrics. There's no essay (just as well, they are usually badly-written and full of errors!!), and sadly no reference to recording dates. But let's face it - the number of books and websites out there make up for it, and it's the music that counts. Slipped in is a Syd Barrett collage booklet, which does add to the 'confectionary' atmosphere. I'm glad to have this on the shelf next to the treasured Japanese-issue mini-sleeve CDs, and hope that EMI consider using the same format for other Pink Floyd albums. I'd love an enhanced 'Saucerful of Secrets' done exactly the same way, which would wrap up the Barrett legacy properly.
(Actually, an enhanced 'Saucerful' would surely have to include the legendary unreleased songs 'Scream thy last scream' and 'Vegetable man' . . . not only replacing the easily-found poor quality bootlegs every hardcore fan has, but making lots and lots of money. An artistic and financial coup. Come on, EMI, you know it makes sense!)
42 of 45 people found the following review helpful
By Mr. P. Scoble
VINE™ VOICE
Format:Audio CD
Space pixie Syd Barrett's crowning achievement was ultimately his first and last album recorded under the banner of Pink Floyd, when he was the driving force. Inspired by the harmonies and guitars of the Byrds' "Fifth Dimension" album of 1966, Syd penned the classic space rock opus Interstellar Overdrive and the album's opener Astronomy Domine. Building on the success of the early singles Arnold Layne and See Emily Play, Syd's songwriting talent came to the fore, and although typifying the whimsical edge of British psychedelia of the mid 1960's, his songs always had something extra that prevented them from degenerating into cheesy pop like many others did. Quite simply Piper was the best album of the era, with the driving, sinister Lucifer Sam and simply transcendant Mathilda Mother among the album's strongest cuts, also featuring the complete nonesense Bike song and the I-Ching inspired Chapter 24 among others. All areas of psychedelia were explored and to my mind never bettered by anyone. I used to love Sgt Pepper, but Piper blows it away making it sound overdone and pompous as if the Beatles were cashing in rather than innovating. Many people at the time of the album's release complained that Piper did not actively reflect the band's live music shows, which were apparently even more deranged. Little matter now. Over 30 years later Piper still sends shivers up my spine and makes me grin deliriously. Nothing will ever come close to this record, and I mean nothing. I've been an ardent fan of psychedelia in all it's forms for the past twenty years so I feel reasonably qualified to say this. As an afterthought, I would recommend this album to anyone, even if they are not fans of the era or style of music; this cd just might change your mind.
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4.4 out of 5 stars
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Most Recent Customer Reviews
4.0 out of 5 stars
Good.
Revisiting Pink Floyd after many hours listening to Echoes and found it very interesting but not quite on par with Echoes.
Published 1 month ago by Alan Hobley
4.0 out of 5 stars
original brilliance from syd barrett!!!!
Again, mesmeric imagination!!!! syd barrett's lyrics are written with meaning; one must remember when the album was written, so it is years ahead of its time!
Published 1 month ago by neil rowland hughes
5.0 out of 5 stars
Great CD
Everything as expected! Great Pink Floyd album to add to my CD collection. I would recommend this to all my friends.
Published 2 months ago by LMC
5.0 out of 5 stars
Brilliant!!!
This is a vintage recording digitally remastered of Floyd at their very best with the late great Syd Barrett, who is alleged to have had one acid trip too many and didn't come... Read more
Published 8 months ago by Clive
5.0 out of 5 stars
piper at the gates of dawm
brilliant recording, one of my favourite albums and this version is like having the old varnish removbed from an old master, truly remarkable
Published 17 months ago by mealone
5.0 out of 5 stars
One of the best remasters in sound quality improvement
In terms of sheer sound quality improvement, the is possibly the biggest relative sound quality improvement of all of them. Read more
Published 18 months ago by W. Thomas Phillips
4.0 out of 5 stars
Not what it doesn't say on the lable
The Music was and is as to be expected brilliant. A great re-master of a truly great album. However the life expectancy of the product is significantly reduced by the form of... Read more
Published 19 months ago by Cornishchewey
5.0 out of 5 stars
The stunning debut, stepping out once again...
This was Pink Floyd's first album, back when the band comprised of Syd Barret, Roger Waters, Nick Mason and Rick Wright. Read more
Published 19 months ago by Samuel Peers
5.0 out of 5 stars
Excellent!!
This isn't the best floyd album in my opinion but with all their albums....their worst is better tham most bands best...so i still love it! Read more
Published 19 months ago by Scott
5.0 out of 5 stars
on the subject of..well Re:re-remastering how come nones commented yet...
I mean come on - its been a week...is it noticeably better than the other dozen versions fans already own ? Read more
Published 19 months ago by knocked out 73 just woke up
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