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The Phantom of the Opera (Collins Classics) Paperback – 1 Jan 2011


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Product details

  • Paperback: 320 pages
  • Publisher: William Collins (1 Jan 2011)
  • Language: English
  • ISBN-10: 0007420277
  • ISBN-13: 978-0007420278
  • Product Dimensions: 10.8 x 2.2 x 17.5 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (149 customer reviews)
  • Amazon Bestsellers Rank: 17,777 in Books (See Top 100 in Books)

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Product Description

Review

""A venerable, much-adapted story of grand, delicate feelings and gothic creepiness." --"New York Times --This text refers to an out of print or unavailable edition of this title.

Book Description

The classic Gothic horror novel of haunted cellars, opera, murder and unrequited love that inspired Andrew Lloyd Webber's musical --This text refers to an alternate Paperback edition.

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Most Helpful Customer Reviews

37 of 37 people found the following review helpful By Z on 7 Mar 2004
Format: Paperback
Love, hate, horror, the Phantom of the Opera has all this, making it one of the most captivating books ever. The book by the detective writer Gaston LeRoux tells the tale of Paris Opera house and its resident phantom. The book conceived by the author after a thorough investigation brings a believable portrayal of the events that had occurred at the time. Its basis on realistic facts makes it all the more believable.
The plot surrounds several characters that work at an opera house. The opera, well renowned for its plays also holds a deeper secret. When the new managers receive threats from a mysterious ghost, leaving letters initialled “O.G.”, a series of events are triggered that cause chaos in the opera house. Although this is how the book is introduced, its tone changes later in the book, focussing on the personality of the opera ghost. A story of love and sadness is revealed, piece-by-piece. The ending is startling leaving an air of melancholy in the reader’s heart.
The book was set in the late 19th century, recently after the opera house was constructed. The author himself was a great fan of the opera, and frequented it quite often. After hearing tales of the famous opera ghost, the author explored the opera house behind the scenes and discovered a vast maze of tunnels. In fact the opera house is a combination of a theatre and a dungeon. This creates an atmosphere of mystery, because then, anything could hide in the vast maze of the opera house.
The author handles the story very well. This could do with the fact that many parts of the book are actually based on fact-based testimonies. However the way the author connected the stories to make a smooth narrative is to be praised.
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22 of 22 people found the following review helpful By Rachel on 18 Oct 2005
Format: Mass Market Paperback
Depending on who you listen to this is either a masterpiece, or a shaky story which has since been improved through adaptations to film and stage. My opinion is the former. I had no trouble at all reading this book, in fact I had real trouble putting it down. For a phantom phan this is essential reading as the basis for all subsequent versions of the tale, and a very good read in itself. Those who know more recent versions of the story should not expect this to be exactly the same; in fact all the characters come across very differently, creating a very different overall storyline regarding the characters.
The writer, Leroux, spent much of his writing career as a journalist, and 'The Phantom of the Opera' is written in a style which suggests a real investigation and interview of the characters by the author (hence the continually resurfacing hope of phans that the Phantom truly existed). This style works exceedingly well, in my opinion, as it leaves plenty of mysteries for the reader to consider, reflecting the nature of the story. Debates about certain points and occurrences continue to this day!
This book truly is a must read, and as copies can be found cheaply most anywhere, you have no excuse for not reading it!
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13 of 13 people found the following review helpful By A Customer on 25 April 1999
Format: Mass Market Paperback
This must be the best book I've read in a while. Once I started it, I was cut off from this world. The plot is simple yet really entertaining. It doesn't state too many extra details and doesn't tell a few different stories at once like many other books. I am a person who often needs to reread some sentences again and again before I get them, but this one went almost completely smoothly. It must be considered a classic. Once I started reading it I was so enthralled that I felt like all the characters at one point in the book. It's kinda spooky, but not as much as many other books, just enough to make you continue reading. Please excuse the spelling, it is very late at night.
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9 of 9 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWER on 25 Mar 2008
Format: Paperback
The mask, the music, the dark mysteries, and the tortured, deformed genius who just wants love. "The Phantom of the Opera" is so well known that its story needs no explanation.

But Gaston Leroux's novel is still a spellbinding experience, full of atmospheric horror, a sense of gothic mystery, and lushly evocative language. But its crown jewel is Erik: a magnificently tortured anti-hero who inspires more horror, pity and sympathy than the rather flat hero and heroine.

The Paris opera house is said to be haunted by a ghost with a "death's head," who demands a small salary and a reserved box. Despite the sightings and fears of ballerinas and stagehands, the new managers are determined to stamp out this ridiculous story -- despite threatening letters and increasing accidents that happen around them.

Meanwhile, budding diva Christine Daae is taking Paris by storm, although nobody quite knows who taught her how to sing. And when her childhood friend Viscount Raoul de Chagny pays her a visit, he hears a passionate exchange between her and a man -- but there's no man there. She credits her new vocal abilities to the Angel of Music, but of course, that self-same Angel is the opera ghost.

As the Phantom becomes even more attached to Christine, Raoul soon finds that the ghost is actually a half-mad, horribly deformed musical genius named Erik -- and that after Christine saw his true face, he made her become engaged to him. The young lovers plan to run away together, but the "Angel of Music" isn't about to allow his beloved Christine to leave him...

Apparently there actually were some odd events -- including rumours of an opera ghost -- happening when Gaston Leroux began writing "The Phantom of the Opera.
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