|
Free MP3 Sampler from Roadrunner Records
This album has been released by metal label Roadrunner Records. If you like this album, why not check out the free MP3 sampler from the label? Roadrunner Records has been named by Metal Hammer as the "Best Metal Label" four years running Find out more and download the sampler album. |
Product details
Would you like to update product info or give feedback on images?
|
|
Review Nine albums and millions of record sales later, it’s unrealistic to ask that they stay the same angry young men. Still, there’s something particularly frustrating about the way they’ve settled into a well-worn groove – complete with their trademark clicking basslines and stop-start riffs – ever since their third album, 1998’s Follow the Leader, put a gloss on their sound and sent it supernova.
Until now, that is. Tenth studio album The Path of Totality is a bold attempt at a new direction – sonically, at least. In collaboration with the vanguard of popular dubstep – most notably Skrillex and Noisia – they’ve taken their now immediately recognisable sound and put a dizzying spin on it.
They get full marks for effort but, unfortunately, not for the end results. It’s a credit to all parties involved that this doesn’t simply sound like a remix album, but once the novelty of the squelching, space-aged din they’ve birthed fades, what’s apparent is how little Korn have to say for themselves these days. Lead single Get Up! is an empty-headed party starter, while its follow-up, Narcissistic Cannibal, sounds jumbled, bloated and directionless. It doesn’t help that Jonathan Davis’ vocals are frequently swamped by what surrounds them, but even when he’s not clear it’s more than apparent that the fire that lit up early, nerve-twisting invectives against bullying (Clown) and homophobia (Faget) and big hits such as Freak on a Leash just isn’t burning here.
Still, there are a couple of edifying shocks the system. Burn the Obedient is a rare occasion on which they harness their new powers to sound truly intimidating, and closing track Bleeding Out’s use of piano, bagpipes and a coherent narrative makes it an ear-catching final call. Too much of the rest lacks the same impact, with the main consolation being that Korn have rediscovered their pioneering spirit.
--Alistair Lawrence
Find more music at the BBC This link will take you off Amazon in a new window
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|