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The Party's Over (BFI Flipside) (DVD + Blu-ray)

Oliver Reed , Ann Lynn , Guy Hamilton    Suitable for 12 years and over   Blu-ray
3.9 out of 5 stars  See all reviews (10 customer reviews)
Price: 8.69 & FREE Delivery in the UK on orders over 10. Details
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Frequently Bought Together

The Party's Over (BFI Flipside) (DVD + Blu-ray) + The Pleasure Girls (BFI Flipside) (DVD + Blu-ray) + Private Road (BFI Flipside) ( DVD + Blu-ray)
Price For All Three: 28.78

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Product details

  • Actors: Oliver Reed, Ann Lynn, Clifford David, Louise Sorel, Mike Pratt
  • Directors: Guy Hamilton
  • Format: Dolby, PAL, Black & White
  • Language: English
  • Subtitles: English
  • Region: All Regions (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 1.66:1
  • Number of discs: 2
  • Classification: 12
  • Studio: BFI Flipside
  • DVD Release Date: 17 May 2010
  • Run Time: 95 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (10 customer reviews)
  • ASIN: B0038AL7VA
  • Amazon Bestsellers Rank: 42,337 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

Product Description

BFI Flipside presents

THE PARTY'S OVER (DVD + Blu-ray)

THE FLIPSIDE : rescuing weird and wonderful British films from obscurity and presenting them in new high-quality editions.

Enigmatic young Melina (Louise Sorel) has fallen in with a group of Chelsea beatniks, catching the attention of the gang's defiant leader Moise (Oliver Reed). But wild and drunken partying has terrible consequences, and when Melina's fiancé Carson (Clifford David) begins investigating, the shocking truth is soon revealed.

Written by Marc Behm (Help!) and scored by the legendary John Barry, this controversial film originally fell foul of the British Censors, forcing director Guy Hamilton to remove his name from the credits, but is now finally made available in its never-before-seen pre-release version.

Special Features

  • Presented in both High Definition and Standard Definition
  • Alternative theatrical release cut (Blu-ray only, 92 mins)
  • Alternative theatrical release sequences (DVD only, 18 mins)
  • The Party (R A Ostwald, 1962, 16 mins): a time-capsule short about an art school get-together
  • Emma (Anthony Perry, 1964, 12 mins):an expressive meditation on the loss of innocence, from the producer of The Party's Over
  • Fully illustrated booklet with contributions by Guy Hamilton, Andrew Roberts, William Fowler and Vic Pratt

UK | 1963 - 1965 | black and white | English language, with optional English hard-of-hearing subtitles | 95 minutes | Original aspect ratio 1.66:1

Disc 1: BD50 | 1080p | 24fps | PCM mono audio (48k/24-bit)
Disc 2: DVD9 | PAL | PCM mono audio (48k/16-bit)

Product Description

United Kingdom released, Blu-Ray/Region A/B/C DVD: LANGUAGES: English ( Dolby Linear PCM ), English ( Subtitles ), WIDESCREEN (1.66:1), SPECIAL FEATURES: Black & White, Blu-Ray & DVD Combo, Booklet, Interactive Menu, Scene Access, Short Film, SYNOPSIS: An American looking for excitement overseas finds more than she can handle in this cautionary drama. Melina (Louise Sorel), a young American woman, disappears while traveling in Britain, and her father Ben (Eddie Albert) sends her fiancee Carson (Clifford David) to the U.K. in hopes of discovering what's become of her. Carson learns that Melina has fallen in with a group of thrill-seeking Chelsea beatniks known as 'The Pack'. She's decided to call off the engagement, and she uses the gang's loutish leader, Moise (Oliver Reed), to run interference and keep Carson at arm's length. Carson stays on Melina's trail, but as her new life with the Pack becomes more and more sordid, tragedy seems inevitable. THE PARTY'S OVER was shot in 1963, but disputes with censors prevented the film from opening in London until 1965, in a cut version that reportedly displeased director Guy Hamilton (GOLDFINGER, LIVE AND LET DIE). ...The Party's Over ( The Party is Over ) (Blu-Ray & DVD Combo) (Blu-Ray)


Customer Reviews

3.9 out of 5 stars
3.9 out of 5 stars
Most Helpful Customer Reviews
24 of 27 people found the following review helpful
5.0 out of 5 stars Watch it as soon as you can! 9 July 2010
Format:Blu-ray|Verified Purchase
The BFI have done another brilliant piece of work - this time with The Party's Over. The 'dual format', together with an excellent booklet, certainly give you every chance to compare versions and consider the absurdities of censorship (abeit at a distance of nearly 50 years. With The Party's Over, the censors seemed to be pandering to the Establishment in a predictable but particularly half-baked way. I wouldn't agree with Clive Saunders' review that the implications (and they are only implications - nothing is clearly seen - hence the 12 certificate) of the film are ever "somewhat nauseating". Nor would I say that it wasn't a film for the "faint-hearted", but I suppose it all depends on what you are used to. While not a fan of violence and gore, I am enthusiastic about many of the Italian Giallos of the late 60's and 70's, some of which are genuinely nauseating!
Oliver Reed plays a similar character to his Moise of The Party's Over, in two other great films of this period, both currently available on DVD: Michael Winner's (!!) The System, and Joseph Losey's, The Damned (a.k.a These Are The Damned). His performance in all three is at times mannered and theatrical...but absolutely fascinatingly so. It's also sincere and multi-layered.
The Party's Over does take a while to get going, at first we thought it might just be another silly, middle-class dropouts, mindlessly partying, waste of time; but it grew geometrically better as it went on, even developing an echo of the Rashomon, alternate viewpoints, structure. And I think that to say as Clive Saunders does (sorry Clive, but without reading your review I wouldn't have got around to writing one at all!) that the people show no compassion or emotion towards each other, misses the point.
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5 of 6 people found the following review helpful
4.0 out of 5 stars Top quality Flipside release 30 July 2011
Format:Blu-ray|Verified Purchase
I must admit if I'd been a teenager in the 60s it would have been the beatniks for me - frugging, puffing, Watneys pale ale, expressos, constant parties - it looks great. Trouble is there's always the hangover, the comedown, reality seeping in. This film captures the ups and downs brilliantly. We see this now deceased world through the eyes of a bemused American looking for his fiance, who has fallen in with a ner-do-well gang (led by the brilliant Oliver Reed). As the title suggests things don't turn out well, but for the viewer its compulsive all the way, from the John Barry soundtrack to the seedy milieu to the unusally subtle plot twists. I really enjoyed this one, but its not the highlight of the package, that would be the short 'Emma' which is a dazzling blast of colour amidst the monochrome sleaze of the other two features. Only 12 minutes long, but each one of them perfect, this allegorical snapshot of 2 kids playing in Highgate Cemetary is damn near perfect and as for the picture quality - incredible. The other extra 'The Party' is a disposible but fun enough look at a typical house party.
Just one thing stops this being 5 stars, the fact that Guy Hamilton, the director wanted his name removed from this cut. Why? It would have been nice to hear what it is he objected to and what his actual vision for the film was (he is nearly 90 now, so perhaps this was impossible, but it would be nice to have more info)
To sum up, a great buy and remember, don't skip the supporting features.
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4.0 out of 5 stars The editing confuses 28 Nov 2013
Format:Blu-ray|Verified Purchase
Includes some deleted or censored scenes. A party scene creates a splash because it implied sex with someone dead. In the context of the film, the drunken partiers were unaware of her fall off the staircase, and thought the girl had passed out. It's very hard to believe the censors were given a script and practically helped plot and shape the film as much as the film makers themselves. It's an interesting piece of film history and you see Oliver Reed in one of his first film parts.
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4.0 out of 5 stars An inspiration for Quadrophenia? 22 April 2013
By gerryg VINE VOICE
Format:Blu-ray|Verified Purchase
An interesting, if London-centric, take on the early sixties. Tame in its representations but excellent in presentation. Contemporaneous so a different take than say Ginger & Rosa [DVD] but also from a different class perspective

Essentially a bunch of middle class drop-outs run around the Kings Road probably waiting to drop back in again. They spend their time in a constant now with little understanding for the consequences of their actions. Oliver Reed plays the ace-face chasing the nice if detached American girl (cf Quadrophenia 10 years later "they say she's a virgin, well I'll be the first in) followed to London by her finance (her fella's going to kill me, oh ... will he?). Then there's the nice girl up from Stow-on-the-Wold, secretly very conventional.

There's a tragedy (another reviewer mentions necrophilia, technically yes, but not really, more tragedy from realisation of loss) and then the dealing with it (though it's unclear she's dead, unless it's bad filming) and subsequent collapse of a suspended reality.

Is it a great film? No. Is it an interesting film? Absolutely.

And, oh how the main venue has fallen - it's now a branch of a well known pizza chain.
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20 of 27 people found the following review helpful
3.0 out of 5 stars Not For the Faint Hearted! 21 Feb 2010
Format:Blu-ray
Guy Hamilton's The Party's Over is a stark look at the 'other' side of life in the 60s, where confirmity and convention have no place. Whilst the storyline that revolves around the actions of a group of beatniks and, in particular their leader, is undoubtedly interesting and keeps the viewer intrigued throughout, the subject matter of sex, death and necrophilia is at times somewhat nauseating. The striking thing about this film is the complete lack of compassion or emotion shown by the cast towards eachother and the situation they find themselves in and this results in the film having a somewhat depressing undertone. However, it is always a pleasure and most interesting to see a young Oliver Reed, and an even younger Louise Sorel makes a notable appearance with a good supporting cast of solid British character actors. Not surprising that it has fallen foul of the censors for so long, but as it was an important film in the development of British cinema in the 60s it is good to see it finally released. Not for the faint-hearted though!
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