The Pantomime Life of Joseph Grimaldi: Laughter, Madness and the Story of Britain's Greatest Comedian [Paperback]

Always vivacious and engaged, Stott's writing is earthed in research that gives resonance to the amplitude of detail he provides, tactfully tucking away documentation of sources in endnotes that are a pleasure in themselves. --Jennie Renton, Sunday Herald

Grimaldi's is a story of comedy mixed with pathos, endurance with absurdity. It is exceptionally well told here. --Sam Leith, Daily Mail

McConnell Stott's engaging book...presents a fantastic panorama of stage history, tracing how pantomime rose to be the most popular British art form at a time when the rest of Europe was convulsed by the Napoleonic wars.
--Sunday Times

This interesting and entertaining book gives a real insight into how much professional comedy has changed over the last 250 years, and how much it hasn't changed.
--This text refers to the Hardcover edition.

The son of a deranged Italian immigrant, Joseph Grimaldi (1778-1837) was the most celebrated of English clowns. The first to use white-face make-up and wear outrageous coloured clothes, he completely transformed the role of the Clown in the pantomime with a look as iconic as Chaplin's tramp or Tommy Cooper's magician. One of the first celebrity comedians, his friends included Lord Byron and the actor Edmund Kean, and his memoirs were edited by the young Charles Dickens. But underneath the stage paint, Grimaldi struggled with depression and his life was blighted with tragedy. His first wife died in childbirth and his son would go on to drink himself to death. In later life, the extreme physicality of his performances left him disabled and in constant pain. The outward joy and tomfoolery of his performances masked a dark and depressing personal life, and instituted the modern figure of the glum, brooding comedian. Joseph Grimaldi left an indelible mark on the English theatre and the performing arts, but his legacy is one of human struggle, battling demons and giving it his all in the face of adversity.

Andrew Stott is Associate Professor of English at the State University of New York, Buffalo, where he specialises in comedy, popular culture and the history of the theatre from the sixteenth to the nineteenth centuries. In 2005 he wrote Comedy (Routledge), an academic study of the art, and has since become a comedy pundit, offering commentaries to New York's WNYC radio and Slate magazine.