The Painted Veil pits amiable but unscrupulous fools against tormented souls, has a duly sarcastic starting-point, and is set in far-away, warlord-era China; in short, it has the ingredients for vintage Maugham.
The book begins in Hong Kong, with an adultery scene. Kitty Fane is beautiful, shallow, and calculating. She soon finds her match in Charles Townsend, a vain and cynical but popular colonial official - and in her own husband, the lover's very photo-negative, who drags her through plague-ridden country in revenge. The story is that of her spiritual transformation. It can even be read to show women's superior ability for moral elevation.
The Painted Veil is full of Maugham's innumerable human insights, and it is filled with danger, physical and psychological. This is an easy to read, absorbing novel. Readers expecting lush visions of warlord-era China to jump from the page, though, will need to look in another place. The "native" country is distant, dream-like and morbid, seen through the eyes of the heroine, whose preoccupations are elsewhere. It is only peered at from the height of a curtained palanquin. Indeed, the novel paints the superficial and self-centred expatriate community of Hong-Kong much more than it does labouring China; as such, it probably remained true to life until very recent times.