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The Painted Veil (Vintage Classics) Paperback – 5 Apr 2001


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The Painted Veil (Vintage Classics) + Of Human Bondage (Vintage Classics) + The Razor's Edge (Vintage Classics)
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Product details

  • Paperback: 240 pages
  • Publisher: Vintage Classics; New Ed edition (5 April 2001)
  • Language: English
  • ISBN-10: 0099286874
  • ISBN-13: 978-0099286875
  • Product Dimensions: 12.9 x 1.5 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (66 customer reviews)
  • Amazon Bestsellers Rank: 146,111 in Books (See Top 100 in Books)

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Review

"Reveals many of Maugham's strengths: an understanding of women, meticulous craftsmanship and raw emotion'" (Daily Mail)

"A work of art" (Spectator)

"An expert craftsman... His style is sharp, quick, subdued, casual" (New York Times)

Book Description

Stunningly rejacketed as part of a major reinvention of this neglected 20th century master

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Customer Reviews

4.0 out of 5 stars

Most Helpful Customer Reviews

14 of 14 people found the following review helpful By smartreader on 27 Mar 2012
Format: Paperback Verified Purchase
My comments relate to the Thinking Media (Spiritual Classics) version of this title. I have never read a book with so many typos/mistakes. Literally several per page - sometimes within the space of 2 or 3 sentences, often so bizarre it was hard to work out what the original sense was, making reading so absolutely infuriating that I don't know how I managed to keep going. Spoiled my enjoyment of the book completely. Don't be tempted to buy this version.
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3 of 3 people found the following review helpful By geraint ellis on 1 Aug 2013
Format: Paperback
Aspiring writers are often advised to write about that which they know - the things around them, at the time. This is never more clearly demonstrated than in the way people speak. Emily Bronte wrote in the way the family around her spoke. She would 'peruse an epistle', not read a letter. She would 'quit the chamber', not leave the room. She wouldn't listen; she would 'hearken' etc. In much the same way, this book, written for the middle and upper-class of its day, has its own distinctive language: 'I've got into a devil of a scrape' - 'He's a thundering good chap' - 'I'm most frightfully sorry; I don't seem to know your name'. (Try that at the end of your first date) But however one feels about the distinctiveness of period-language - of writing about things around you, at the time, this book - along with just about everything Maugham ever wrote, is a master-piece - a superb snapshot of how it was, then.
It is written in film-like short scenes: how from bad can come good/how two people can discover love and mutual respect from facing together a life-threatening experience (a fight against Cholera). In that sense, it's a book about caring. In that sense, the storyline is incremental, and grows upon one, layer upon layer. (Theme: A familiar feature of Maugham's writing. 'The Razor's Edge', is to do with the quest for spiritual rather than material happiness. 'Of Human Bondage', is autobiographical fiction, and in that genre is perhaps the most thematic 'book of knowledge' ever written - 640 pages)
Maugham writes succinctly. In page 25, two years pass by in one line. Walter: 'A person to whom small talk did not come easily'. Charlie Townsend: (The cad) 'who has made a science of popularity'.
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4 of 4 people found the following review helpful By S.Christensen on 6 Jun 2012
Format: Paperback Verified Purchase
Really poor edition - full of spelling mistakes!
My comments relate to the Spiritual Classics from thINKing version of this WONDERFUL classic. I have never read a book with so many typos/mistakes. Often it was hard to work out what the original meaning was, making reading very frustrating.
The original book is awesome and would have been a joy to read if I had bought a different edition.
DO NOT BUY THIS EDITION!
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28 of 31 people found the following review helpful By Amazon Customer on 6 Sep 2007
Format: Mass Market Paperback
This a book that became one of my instant favourites. It tells the story of Kitty, the beautiful though superficial wife of socially inept doctor Walter Fane. Bored of life in Hong Kong she begins and affair with Charles Townsend whom she finds eminently more suitable. Ultimately her deception uncovered her husband exacts an unusual vengeance making her accompany her to a cholera ridden province in mainland China. Whilst the story line is fascinating in itself the real beauty of the novel comes from the descriptions of the feelings both husband and wife have for each other. Both come of as incredibly human with believable flaws, and though I was slightly disappointed with the ending the rest of the novel continually delighted me.
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11 of 12 people found the following review helpful By JoelHarrisonDatBoss on 22 April 2013
Format: Paperback Verified Purchase
This is a great book but please don't buy this edition. Not only are there countless typos - mainly small mistakes on every page, as if they have run a spellcheck which picks up the larger mistakes but misses things, putting "out" instead of "but" and "hit" for "hint" - but much worse, the ending is changed. I only realised this after comparing notes at my book club and complaining about an issue I had with the ending which slightly marred an otherwise great book. No spoilers but the last paragraph is 1/2 the length of the original and changes some words - including the very last word of the book - which I can only think makes it more acceptable for an American Christian audience - "peace" becomes "God". Buy it - but buy Somerset Maugham's version not some American publisher's idea of what it should have said.
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45 of 51 people found the following review helpful By S. Hapgood VINE VOICE on 21 Sep 2003
Format: Paperback Verified Purchase
It doesn't start off very promisingly. Kitty is having an illicit afternoon liaison with her lover, Charles Townshend, and it's all so very British Empire. Talk of tiffin and men in topi's can make it feel like "Carry On Up The Khyber", albeit set in China instead of India! But after that first short chapter you quickly get drawn into it. Kitty, in spite of her faults, is a very likeable and only-too-human heroine, and her husband, Walter Fane, is one of the most intense and complex characters Maugham ever wrote. Fane takes a disturbingly bizarre revenge on his wife's infidelity by making her accompany him to a cholera-ridden village in the wilds of China. Once there, Kitty seeks spiritual salvation and insight, and succeeds. Sadly, there is to be no happy ever after for this couple, and I was genually saddened that this was so. But Maugham, with his usual sharp insight, gives us great insight into the bit players in Kitty's life, such as Waddington and his mysterious Chinese princess, and the Mother Superior at the convent. This is good stuff.
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