Pains (as I'll call them from now on) love nostalgia. So much so that they appear not to have heard a record made after 1995, except perhaps for relistening to the re-released Shop Assistants album,
Will Anything Happen, originally from 1986. Such is their devotion to that year that one of the Shop Assistants, who featured on the NME's influential C86 cassette, went onto form The Pastels, with whom comparison can surely be made.
The fuzzy indie-pop on offer nestles comfortably with latter day artists Crystal Stilts and Manhattan Love Suicides in nostalgia, having absorbed the sort of jangly, smily, inoffensive indie qualities of, say, Belle & Sebastian on the way. `Contender' buzzes along like a missing
Lost In Translation soundtrack number, all gentle fuzz and simple acoustic jangle. Early My Bloody Valentine and Jesus & Mary Chain influences reverb happily throughout.
`Young Adult Friction' and `Gentle Sons' would play unnoticed between Stone Roses and Smiths records at any indie night club, unobtrusive in an entirely great way, the driving drums in the latter monumentally borrowed from the former of these artists. The drawback to this record is that it not only sounds like 1986 all over again, it also sounds a bit like the early 90s, the bits that didn't sound like Nirvana, and did sound a bit like the beginnings of Britpop. Hence, `Come Saturday' sounds a little too close to the Lightening Seeds, `Stay Alive' a little closer to James.
That said, this should not put the listener off, as, despite Pains' unfortunate A-Level, poetry-club moniker and at-times-questionable sound, this harmless but effective pop record will warm the purest of hearts.