With current wave of brutal Euro-horror showing no signs of abating, the playing field is becoming pretty crowded, with film makers already being reduced to trying to one-up each other in terms of gore and nastiness. Thankfully, although "The Pack" (La Meute), marking the debut of writer-director Franck Richard has more than the requisite servings of grue, it makes at least a little effort to throw a few new ideas into the mix. The French film also has a surprisingly high calibre cast of recognizable faces, including Benjamin Biolay (Stella), award winning Belgian actresses Yolande Moreau (recently in the "Gainsbourg" biopic) and Emilie Dequenne (Brotherhood of the Wolf) and acclaimed French veteran, Philippe Nahon (Switchblade Romance, Irreversible). The plot, it has to be said is familiar, with Dequenne as Charlotte, a young woman taking a road trip through the rural backwaters, who after a spot of trouble with some bikers at a food van picks up a hitchhiker - yeah always a great idea!.
To be fair, her new passenger, Max (Biolay) seems friendly enough, and the two stop off at the wretched café La Spack, whose middle aged female owner of the same name (Moreau) sees off the pursuing bikers with her shotgun. Although things are briefly calm, Max heads off to the bathroom, only to disappear without trace. Suspicious of La Spack and her increasingly bizarre behavior, Charlotte starts poking around and for her trouble is captured and thrust into a cage where she awaits her fate as dinner for the titular creatures. Although La Meute may sound like yet another straightforward slice of inbred rural psycho sadism, the film it most resembles is Fabrice Du Welz' superbly offbeat "The Ordeal", mixing its more traditional horror themes with some genuine weirdness and an effectively sinister atmosphere. The film is certainly more creative than its plot suggests, with a cast made up almost entirely of amusing oddballs and a definite sense of the surreal.
Furthermore, the film is split in three rather distinct parts, traveling through different subgenres of the horror spectrum. The first part clearly belongs to the freaks in a cabin genre, the middle part tips its head to torture/captivity horror flicks and for the finale La Meute morphs into a creature film. Underlying these different parts though is a constant stream of dark, amusing comedy that contrasts heavily with the grim and depraved setting. No doubt it won't be to everyone's liking, but if you think you can get past these particularities, there's plenty of fun to be had with Richard's film. Highly recommended to French horror fans.