"Most of the news in classical music takes place on stage or on disc. But at the moment, one of the biggest stories (in more ways than one) is taking place on the printed page." --The New York Times"Erudite, engaging, and suffused throughout with a mixture of brilliance and delirium." --Washington Post"Readers will profit from his sharp analysis and unabashed opinions... Taruskin has succeeded in writing a stimulating overview of Western society, setting a standard that will not be surpassed for a very long time..." --Library Journal"Taruskin's chef-d'oeuvre, however, is a feast of contrarian ideas, with enough spice to sting the palate of anyone with a stake in telling the old stories in the old way. It aims for nothing less than the revaluation of practically everything you thought you knew about classical music....Taruskin's magnum opus is a must-read, and in its way, a real page-turner of detective non-fiction. It's a cinch to become the most discussed music title o
About the Author
Richard Taruskin is professor of musicology at the University of California, Berkeley. In addition to this work, Taruskin is also the author of such books as Music in the Western World: A History in Documents (1985), Text & Act (OUP, 1995), and Stravinsky and the Russian Traditions (1996). He is a frequent contributor to the New York Times, New Republic, and many other scholarly journals.