If this book wasn't absorbed into a series, it could stand alone as one of the best books on literary Modernism in English Literature yet written. Readable, witty, up to date, and full of fascinating facts, it as close to a page turner a work of criticism could get.
Baldick has written more than the usual bloodless survey, clicking off checklists of titles chronologically. Instead he has created an elegant framework to give the reader a context for placing the literary output of the British Isles between 1910 and 1940. This includes the usual cast of Modernists such as Woolf, Eliot and Joyce, but finds room for FOREVER AMBER and LOST HORIZONS as well. EM Forster and GB Shaw rub shoulders with Agatha Christie and Sax Rohmer.
Baldick is not shy about giving his own critical assessments (PG Wodehouse thumbs up, DH Lawrence thumbs down) and he attemps to be inclusive without being exhaustive. He eschews theoretical jargon for compulsively readable prose. He will pique your curiosity about unfamiliar titles as well as covering the usual suspects with concise plot summaries. Plays, poetry, travel writing, memoirs and many other genres are covered and there is a concluding section on special topics including children's literature, the Great War and sexuality.
I can't see how this book could have been better...except by being longer.