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The Oxford Companion to J. M. W. Turner (Oxford Companions)
 
 
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The Oxford Companion to J. M. W. Turner (Oxford Companions) [Hardcover]

Evelyn Joll

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"This solid handbook is as densely packed with articles about Turner's art and life as a proper plum pudding is stuffed with raisins. Many of the signed entries are actually essays rather than brief paragraphs, and that is what makes this book useful for more than just quick reference. The center of this work serves up 32 full-color plates reproducing some of Turner's finest watercolors and oils....appropriate for fine arts and large reference collections; however, any collection serving anglophiles and art lovers should also consider adding it."--Booklist
."..this is a remarkable achievement, and will be a major resource for Turner scholars."--Spectator
."..provides a wealth of scholarly information and a substantive guide to the life and work of one of Britain's greatest painters. Daunting in scope and execution, this is recommended for all academic and art libraries."--Library Journal

Product Description

The first ever authoritative guide to Turner and all aspects of his art J. M. W. Turner is generally acknowledged not only as Britain's greatest painter, but as one of the finest and most original of all landscape painters. His long life and exceptionally large and varied oeuvre has created a body of art, and accompanying literature and primary sources, that are daunting and often inaccessible to the scholar and Turner enthusiast alike. The Oxford Companion to J. M. W. Turner, the first reference work devoted entirely to this artist, is an authoritative guide to every aspect of Turner's life, his art, his reception past and present, and the cultural, social, and political context in which he worked. Written by a team of the foremost Turner scholars in the world, the Companion presents the very latest information available, in a form that is both easy to use and enjoyable to read. Over 760 alphabetical entries offer * the fullest possible accounts of the private and public life of this baffling and secretive man - his family and friends, his mistresses and children; his interests and travels, patrons and associates, his will and bequest * details of his working methods; his stylistic development; the artists who influenced and inspired him, and those whom he influenced in turn; pupils and assistants; exhibitions during his lifetime, and the prices paid for his pictures * full coverage of the subjects and topographies depicted in his art, from Walter Scott's country house at Abbotsford to his panoramic views of Zurich * over 100 entries on the most important individual works and groups of works-oils, watercolours, and engravings, both exhibited and unexhibited * contextual coverage of contemporary artists, literary influences, political events and the issues of his day, from slavery to the Sublime * a complete account of past and modern Turner scholarship, and of important exhibitions, public and private collections, dealers and the market for his art today WITH: EXQUISITE COLOUR PLATES; CHRONOLOGY OF HIS LIFE AND TIMES; EXTENSIVE BIBLIOGRAPHY; LISTING OF PUBLIC COLLECTIONS WITH WORKS BY TURNER

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ABBOTSFORD, *Scott's country house on the River Tweed near Melrose. Read the first page
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Amazon.com:  2 reviews
11 of 15 people found the following review helpful
WORDY AND FEW PAINTINGS 26 July 2003
By A Customer - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
Maybe I am silly but if you are going to call a book a companion on a painter you should have plenty of paintings from each of the periods in his/her life to share with the reader. This book is primarily sound even exciting scholarship with a paltry amount of paintings.
If you are taking a graduate course in art history it is right on target however if you are madly in love with the art of this giant go elsewhere for your pleasure.
4 of 5 people found the following review helpful
Lives up to its title 14 Jan 2004
By "hoary" - Published on Amazon.com
Format:Hardcover
Although certain Oxford Companions have been flawed -- that to "Film" had a lot of errors; and in my minority opinion that to "English Literature" wastes far too much space on tangential matters -- most are informative, authoritative, and endlessly browsable. This new Companion to Turner belongs among them. With all the detail it offers about Turner, it's a substantial work and one that will only appeal to those who already have one or more collections of his works; it's understandable that this volume does not duplicate these; if it did, its weight and size (and unwieldiness) and price would rocket.

My only disappointment so far is admittedly peripheral: why does such a scholarly (and expensive) volume not come in the black (or immensely dark blue) cloth that OUP gives to most of its hardbacks?


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