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It is with great pleasure, therefore, to note that with The Outlandish Knight Adams has crafted a lyrical novel rich in historical detail. It follows the fortunes of 3 generations of "common" folk in England and their relationships with the Tudor aristocrats.
The novel opens in the year 1485, the action concentrating on the Battle of Bosworth Field, where Henry VII, the first of the Tudor dynasty, brought an end to the Wars of the Roses. The central narrative focuses on Henry VIII's divorce from Katherine of Aragon, while the third portion is concerned with the fate of those implicated in a plot in support of Mary, Queen of Scots, during Elizabeth's reign.
The overriding theme is one of unwavering loyalty and devotion in the face of intense pressure. While Adams is faithful to the historical detail the reader cannot help but get caught up in the events as if they were happening today. Most impressively, Adams' characters speak the English of their day, not 20th century vernacular, a device which other writers of historical fiction would do well to employ. The historical figures that appear as characters are believable, as well.
Adams' first foray into historical fiction came with his last novel, Traveler, but here he is on surer ground, writing about his native England. As a special bonus, the text is sprinkled liberally with excerpts of English folk song, including the actual musical notation.
Although lacking an animal protagonist, this is Adams' best novel since Watership Down. Readers should also check out his two collections of tales, The Unbroken Web and Tales from Watership Down. Also in a similar vein is a historical novel by Alan Garner, Strandloper, and various works of history of this period, such as Antonia Fraser's Faith and Treason.
The words "based on a true story" have become all too automatic in this visually-oriented age, but it is comforting to know that there are still instances when the phrase actually has meaning.
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