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Product Description
Review
‘Magnificent and tragic, and irrestible mixture of gaiety and pathos’
The Sunday Times
‘This ambitious work will long remain a memorial to an author who is at once civilized, learned, witty and humane’
Times Literary Supplement
Product Description
The extraordinary story of a boy called Wart – ignored by everyone except his tutor, Merlin – who goes on to become King Arthur.
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Customer Reviews
It is the classic that gave us the eccentric druid Merlyn and his teachings through animals. It is also a famous anti-war treatise, searching for answers to this strange activity that this realistic Arthur was faced with. It is also a book steeped in knowledge of old England, with its traditions, lore or lingo.....The book really starts soaring when we encounter the sympathetic figure of Lancelot, and the book now and again showers us in sudden riches of wisdom and insight into these 3-dimensional characters, and thus the character of man.
T H White is no average author; he was for awhile a gamekeeper, living alone like Merlyn in the countryside. He writes suddenly, quirkily, untidily.....but if you stick with him you find a book more memorable and worth revisiting than possibly any other Arthurian epic written. The Book of Merlyn is indeed the last part, and it is perhaps the trickiest.....Good Luck!
Like many classics, this book inspired both great love and great irritation. It is a classic retelling of the Arthurian legends - White does not add to the legends with his own additions, but rather sticks closely to manuscripts and stories that have gone before, most notably Thomas Mallory's 'Le Morte d'Arthur', also considered a classic. The book is divided into four major sections: 'The Sword in the Stone', 'The Queen of Air and Darkness', 'The Ill-Made Knight', and 'The Candle in the Wind'. The overall tone of Arthur's legend goes from hopefulness to tragedy, as even the final conflicts become unresolved, hence the idea that Arthur will come again.
The title of this work comes from the supposed inscription on Arthur's tomb: HIC IACET ARTORIVS REX QVONDAM REXQVE FVTVRVS. The sweep goes from Arthur's childhood to the final battle with his son Mordred. Like many works, this is both a piece of entertainment as well as a political commentary (think 'The Wizard of Oz' here) - Mordred's thrashers are Nazi stormtroopers, for example. This book was the product of the time just before World War II. Merlin's preaching of just war theory (the only acceptable reason for going to war is to prevent another war) is apropos of the time. The Round Table has definite tones of internationalism (from the failed League of Nations to the soon-to-be-born United Nations), and the concept of Might FOR Right (rather than might makes right) is embodied in the idealism of the Round Table fellowship. The rule of law over the rule of men is exemplified in Arthur's struggle against Lancelot and Guinevere. Merlyn also, because of the benefit of his hindsight being actually foresight (he lives backwards through time), continues to make allusions to things such as tanks, modern technology, and even to Adolf Hitler (albeit obliquely).
The tale gets progressively darker as the story continues - the seduction of Arthur by his half-sister will have major consequences later; Lancelot's seduction of Guinevere and her infidelity sow the seeds of the downfall of the Round Table Fellowship, and the final of the four sections is relentlessly bleak.
Still, this is a classic retelling of a classic tale, which continues to be revitalised in media, books, and popular imagination. Whereas some of White's contemporaries chose to create new worlds (think of Tolkien and 'The Lord of the Rings' here), White chose to revisit an old tale that has roots in the legends of the land directly and recast them for modern audiences. As the tales of Arthur continue to have life into the future (he really will be, in a sense, a future king), White's book will stand as a strong link in the chain of storytelling that has maintained this tale for over a thousand years.
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