Synth innovators at first, OMD ended up purveying standard melodic pop without that experimental edge. This is well demonstrated on this singles collection, where early tracks like Electricity, Messages and Enola Gay have a rawer sound, through their golden period as represented by classics like Joan of Arc and Maid of Orleans (From Architecture & Morality), down to the fluffy pop of Walking On the Milky Way. They were ahead of their time in the early 1980s, with only artists like Numan, Kraftwerk and Yazoo mining the same synth groove, and I always loved their often somber and grave take on things. Never quite as weird as some of the above or groups like Suicide, they always stayed in the melodic realm so you could humm their tunes. Not everything here will go down in pop history, but when OMD were good, they were brilliant and there is enough evidence on this album to merit it five stars. Should appeal to a wide spectrum of people – both those who love melodic pop and those into synth sounds, like fans of the Pet Shop Boys.