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For while the use of language is often admirable, it winds itself around a story that feels woefully underdeveloped, which is a shame, as the background concept - which was infinitely better utilised in one of the stories within David Mitchell's excellent Cloud Atlas - certainly had the potential to provide an entralling tale.
Unfortunately, the storyline is not given the time and space to develop, and this is the same of the characters as well. While there could and should be real people there, they are just too little developed to draw the reader into empathising with them, and come across for the main part as two-dimensional objects.
Without wishing to go into too much detail and give away some of the themes woven in by the author, many of the concepts that underpin the novel - such as the nature and ambitions of the corporations, the relationship of the protagonist to the historical Maya figure, and the 'sphinx' device are either hackneyed or ill-explored. And this is the fatal weakness of the book. The pacing, too,seems to have been overlooked completely: the first half of the novel is relatively measured, but once the love interest has been removed from the picture, the story rushes onwards trying to tie the few plot details up in as short a time as possible. If this was indeed the author's intent, then the goal has been achieved admirably in that every problem that faces the protagonist and the world is easily and rapidly solved without any problems, hold-ups or resistance. The all-powerful 'evil' corporation against which the central character is pitted offers no resistance to her at all, explaining to her it's secrets without the merest hesitation. This is done in the manner of the old children's programmes where the villain would explain the evil scheme to the hero, who has been tied up and faces an imminent demise. The enemy of The Olive Readers, however, does not even bother to tie up its nemesis or pose any physical threat to her at all - it rather welcomes her into the heart of its power base, gives her a tour of its secrets and lamely does nothing while she tears down its means of control.
While the concept had a fair amount of potential, sadly the book feels entirely rushed, and the resolution of the world's problems comes about far too easily. Christine Aziz can certainly string an elegant sentence together every so often, but I hope that her next novel is altogether better realised, and given the time, space and passion to develop that it needs. Sadly, I would doubt that I will be picking up a copy of her next book, should it be published, to find out.