'The October Country' is a partial reprint of Bradbury's first and probably greatest book, 'Dark Carnival'. This was a collection of the best of the young author's early pulp stories, which appeared in the forties, featuring a Bradbury largely pre-sentiment, pre-nostalgia, all-chiller! Bradbury has said that he was 'naive to the point of distraction' about most things, but that he did understand his fears about the world. These stories bring those fears to life in an unforgettable manner. Such tales as 'The Small Assassin', 'The Crowd', 'The Wind' and 'The Scythe' are surely among the greatest of twentieth century horror, written in a remarkably original and literate fashion, depicting our own familiar world from a shadowy and skewed vantage point. An argument could be made (in fact I'm making it right now) that all of the author's later work is dilute when compare with these intense early tales. This is Ray without the kid gloves.
Not that this collection is without humour or sentiment - Bradbury's early 'Family' stories appear here, later to inspire the Addams Family series. 'Uncle Einar' and so forth bring some balance to the pure horror that swiftly disappeared once Bradbury discovered Mars and Green Town, Illinois.
Since Dark Carnival is effectively unavailable, although a 2000 reissue is floating about, 'The October Country' is the only way to acquire these essential stories, and as such it represents, in my humble opinion, Bradbury's greatest work.