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The Nudist Colony [Paperback]

Sarah May
3.6 out of 5 stars  See all reviews (5 customer reviews)

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Paperback, 3 Aug 2000 --  
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Product details

  • Paperback: 336 pages
  • Publisher: Vintage; New edition edition (3 Aug 2000)
  • Language English
  • ISBN-10: 0099289563
  • ISBN-13: 978-0099289562
  • Product Dimensions: 19.4 x 12.8 x 2.2 cm
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 2,087,384 in Books (See Top 100 in Books)

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Sarah May
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Product Description

Amazon.co.uk Review

Reclusive millionaire Mack Velli is the owner and self-styled emperor of The Nudist Colony, a stretch of virgin rain forest that is the biggest piece of privately owned land in the world: "Jara: a four million acre dream." Velli builds a paper-making empire on migrant labour and a vision of ruling the world when it awakes to his prophesy that "by the year 2000 Brazil will be the only country in the world still able to produce paper". Ten years later Ludwig James, Velli's protégé, loving lieutenant and former overseer of Jara's "continual stream of labour" has swapped the shadows of the rainforest for the nebulous London underworld, nursing the pulp of Velli's doomed dreams and a disfiguring skin disease "unchristened by any Western tongue". When Ludwig's limo collides with Aesop Whitmore outside King's Cross station, the illiterate, expectant Hackney teenager finds himself adopted by the possessive Ludwig and drawn into London's criminal jungle:
He was given things to do, people to call, trains to ride and liked the word "protégé". But his brother said it was all wrong: there was an official word for boys like him, they were spivs. "Spiv" described the relationship without defining it, the lack of reason that made people speak of love.
Monomaniacal millionaire Mack; the diseased, obsessive and violently fond Ludwig; tenderly exploitable Aesop; Dr Achilles, Ludwig's emotionally clinical dermatologist who collects human specimens from among the dispossessed, and Douglas, the one-legged chauffeur who drives, murders and loves his wife with equal dedication--these are the gently ironic characters out of whose emotional topography Sarah May shapes the landscape of her first novel.

Plotted among the symbolic, claustrophobic debris of Victorian industrialisation, May's archetypes of late 20th century degeneration seek salvation in each other in their attempts to escape their fate as human hosts to an unnamed epidermal epidemic. She demonstrates a skill for keen characterisation through emotionally freighted dialogue and high impact metaphor. Readers who prefer stronger plotting should persist with the early ambiguities of this novel--May pulls together the momentum of this story in a plot that is weighted more successfully in its second half.

Reminiscent of Doris Lessing's surreal fantasies of urban degeneration in novels like Memoirs of a Survivor, this is an ambitious first novel that, in the words of one of its characters, "leaves its fingerprint behind". One of the most indelible impressions of The Nudist Colony is its stripping back of contemporary England to the decaying architecture of empire that underpins it. --Rachel Holmes

Amazon.co.uk Review

Reclusive millionaire Mack Velli is the owner and self-styled emperor of The Nudist Colony, a stretch of virgin rain forest that is the biggest piece of privately owned land in the world: "Jara: a four million acre dream." Velli builds a paper-making empire on migrant labour and a vision of ruling the world when it awakes to his prophesy that, "by the year 2000 Brazil will be the only country in the world still able to produce paper." 10 years later Ludwig James, Velli's protégé, loving lieutenant and former overseer of Jara's "continual stream of labour" has swapped the shadows of the rainforest for the nebulous London underworld, nursing the pulp of Velli's doomed dreams and a disfiguring skin disease "unchristened by any Western tongue." When Ludwig's limo collides with Aesop Whitmore outside King's Cross station, the illiterate, expectant Hackney teenager finds himself adopted by the possessive Ludwig and drawn into London's criminal jungle:
"He was given things to do, people to call, trains to ride and liked the word "protégé". But his brother said it was all wrong: there was an official word for boys like him, they were spivs. "'Spiv' described the relationship without defining it, the lack of reason that made people speak of love."

Monomaniacal millionaire Mack; the diseased, obsessive and violently fond Ludwig; tenderly exploitable Aesop; Dr Achilles--Ludwig's emotionally clinical dermatologist who collects human specimens from amongst the dispossessed and Douglas the one-legged chauffeur who drives, murders and loves his wife with equal dedication--these are the gently ironic characters out of whose emotional topography Sarah May shapes the landscape of her first novel.

Plotted amongst the symbolic, claustrophobic debris of Victorian industrialisation, May's archetypes of late 20th century degeneration seek salvation in each other in their attempts to escape their fate as human hosts to an unnamed epidermal epidemic. She demonstrates a skill for keen characterisation through emotionally freighted dialogue and high impact metaphor. Readers who prefer stronger plotting should persist with the early ambiguities of this novel--May pulls together the momentum of this story in a plot that is weighted more successfully in its second half.

Reminiscent of Doris Lessing's surreal fantasies of urban degeneration in novels like Memoirs of a Survivor, this is an ambitious first novel that, in the words of one of its characters, "leaves its fingerprint behind." One of the most indelible impressions of The Nudist Colony is its stripping back of contemporary England to the decaying architecture of empire that underpins it. -- Rachel Holmes --This text refers to an alternate Paperback edition.


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Customer Reviews

Most Helpful Customer Reviews
3 of 3 people found the following review helpful
By A Customer
Format:Paperback
Perfectly captures the atmosphere of a once glorious, now fading, seaside resort. Sarah May's observation of the stifling conformity and failed aspirations of post war British society is uncanny, especially for someone born in 1972.
Her characters are plausible rather than likeable allowing the reader to empathise without feeling coopted into sympathy.
Sarah May understands human emotions very well and portrays them in fautless prose making this the best novel I've read in the last two years and a book I was reluctant to finish.
Quite superb, buy it.
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Format:Paperback
Occasionally this book is a little difficult to follow - the clarity of writing not quite matching the ambitions of the author. But for most of the book this portait of the violence of colonialism, of the fading English empire, of decaying Britain, of self-harm and self-hatred hits the mark perfectly. Passages, phrases, moments linger on and the book gnaws at you long after you've put it down. Highly recommended.
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Format:Paperback
and trying so hard too. Never before such a welter of pumped-up portentousness, I couldn't really recommend it as a serious work. An absurd cast of 'characters' falling over themselves and a descriptive style that pretends that disease is a living entity that can make decisions.... poetry it ain't - writing, only just - it you can stand the prose. Hated it!
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