Carolyn Parkhurst's "The Nobodies Album" is, on the surface, a fairly routine murder mystery. But describing it as such is to shortchange the complexities of this unique, uncompromising, and pretty wonderful novel. In addition to the central mystery, Parkhurst delivers one of the most searing and unflinching looks at familial alienation one is likely to encounter. Layered into an unconventional literary narrative, "The Nobodies Album" confronts how people cope with tragedy and how they can come to terms with and struggle to change the existence they've fallen into. Meaningful and emotionally satisfying, I ended up feeling that the central plot device (the murder itself and its resolution) to be the least compelling thing about the book.
Centered around a famous novelist Octavia Frost, "The Nobodies Album" explores her troubled relationship with her son Milo. When Milo, a renowned alt-rocker in San Francisco, discovers his fiancée brutally murdered after a night in which he has blacked out--he finds himself the prime suspect in the international media circus that follows. Having been estranged from Milo for many years, Octavia sees this as a chance for reconnection and redemption. The two share a difficult past, their relationship never having fully recovered from the accidental death of Octavia's husband and daughter. And it is the tentative progress of their bond that propels the heart of Parkhurst's story.
The grand success of "The Nobodies Album" rests on the character of Octavia Frost. Maddening and emotionally distant, it is her struggle to try to put the past into a meaningful context that drives the narrative. In alternate chapters, we are treated to various excerpts from her past novels in addition to their newly revised endings. Her current project (the titular experiment called "The Nobodies Album") is to alter these pages to reflect her current state of mind--and, in a way, erase some of the more personal and painful aspects of herself from the books. But dealing with Milo in the present showcases the importance of building on and confronting past mistakes as opposed to trying to make them disappear. Octavia is a difficult character to love, or even like, and yet I identified with her in a thousand ways. Parkhurst doesn't shy away from the unpleasant aspects of her personality and, in being so frank, has created a character that will endure in my memory for many months to come.