On the streets of post-Soviet Moscow, an uneasy truce presides. The forces of Light and Dark, locked for centuries in eternal combat, watch over each other as they maintain the precarious status quo. During the day, the Light Ones are kept in check by the Day Watch, but at night, the Night Watch reigns. Part one of a trilogy, `The Night Watch' explores the complex dynamic of a Cold-War style standoff between Good and its ubiquitous opposite, Evil, through the actions and adventures of debutant field operative Anton. As he is directed, marionette-like, around the streets and undergrounds of Moscow, he debates the merits of goodness when preserving the peace means licensing the killing of innocent people, and the sacrificing of pawns to gain only a fleeting advantage in a power struggle that neither side can afford to lose.
Up front, this is a stylish fantasy / horror novel, written with wit and graceful economy. With a strong cast of "Others", Light or Dark beings with magical energies, it should appeal to fans of the Buffy series and the Anita Blake: Vampire Hunter books. However, it has all the twists of a Robert Ludlum thriller, with typical Cold-War subterfuge and misdirection and battling intelligence agencies, and all the philosophy (and more) of the Matrix movies without the wilfully patronizing tone in which they indulge. With a million copies sold in its original Russian, and not one but two movie adaptations already produced, its appeal straddles genre divides with impunity.