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The New Paradigm in Architecture: The Language of Post-modernism [Hardcover]

Charles Jencks

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Book Description

14 Jun 2002
The story of a movement that changed the face of architecture over the last 40 years of the 20th century. Starting with the counter culture of the 1960s and the call for a complex urbanism by Jane Jacobs and a complex architecture by Robert Venturi, it shows how such demands started to be realized by the 1990s in a new and complex architecture aided by computer design. Often curved, warped and fractal in shape, it is more convivial, sensuous and articulate than the modern architecture it challenges. Carried forward by architects such as Frank Gehry, Daniel Libeskind and Peter Eisenman, it has also become a leading approach in many schools and offices around the world. The computer is now at its heart but its history, which Charles Jencks traces, is built on the desire for an architecture that communicates with its users, and one based on the heterogeneity of our cities and global culture. This study was the first to define the broad issues of postmodernism, and led to its growth in other fields such as philosophy and the arts. First written at the start of an architectural movement in the middle 1970s and translated into 11 languages, it has gone through six editions, each one seeking to give a feeling of how the issues looked at a particular moment. Now rewritten and with two new chapters, the seventh edition brings the history up to date with the latest twists in the narrative, and the turn to a new complexity in architecture.


Product details

  • Hardcover: 304 pages
  • Publisher: Yale University Press; 7th illustrated edition edition (14 Jun 2002)
  • Language: English
  • ISBN-10: 0300095120
  • ISBN-13: 978-0300095128
  • Product Dimensions: 29.2 x 25.2 x 2.5 cm
  • Amazon Bestsellers Rank: 845,227 in Books (See Top 100 in Books)

More About the Author

Charles Jencks divides his time between lecturing, writing, and designing in the USA, the UK, and Europe. He is the author of the best-selling The Language of Post-Modern Architecture(re-issued as The New Paradigm in Architecture, 2002). He has also written numerous other books on contemporary arts and building, including What is Post-Modernism? (fourth edition, 1995) and The Architecture of the Jumping Universe (second edition, 1997). His celebrated garden in Scotland is the subject of his book The Garden of Cosmic Speculation (Frances Lincoln, 2003) and in 2004 the Scottish National Gallery of Modern Art, Edinburgh, won the Gulbenkian Prize for Museums for his design, Landform Ueda. Landform projects have also been completed in Europe, and his current concern is working with Cern on an iconographic and green project. He is the author of The Iconic Building, the Power of Enigma, (Frances Lincoln, 2005), Critical Modernism, (Wiley 2007), and The Architecture of Hope with Edwin Heathcote, on Maggie Centres (Published by Frances Lincoln 2010). The Story of Post-Modernism, Five Decades of Ironic, Iconic and Critical Architecture (Wiley, 2011) brings this resurgent tradition up to date while his recent landscape work is summarised in The Universe in the Landscape (Frances Lincoln, 2011).

Product Description

About the Author

Charles Jencks is a designer and the author of numerous books on the theory and history of architecture and was formerly visiting professor at UCLA.

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Amazon.com: 5.0 out of 5 stars  1 review
5.0 out of 5 stars Well put! 25 Jun 2009
By Amazon Customer - Published on Amazon.com
Format:Hardcover
A great read for postmodernism evolution and the development of contemporary architecture along with philosophies in moving design forward. It will make you want to avoid the "decorated shoebox" and give a pat on the back for those who already do;)
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