"... there was no reliable water supply at Olympia ... so dehydrated spectators would be collapsing in droves from heatstroke. Nobody bathed for days. The sharp odor of sweat did battle with Olympia's fragrant pine forests and wildflowers, only to be overpowered by the intermittent wafts from the dry riverbeds, which had been turned into open-air latrines. And every minute of the day was a trial with Olympia's incessant plague of flies ... The smoke from thousands of cooking fires created a pall of pollution. Crowd control was enforced by local officials with whips." - from THE NAKED OLYMPICS, on the conditions facing the spectators. Perhaps could also describe the ambience surrounding modern-day after-Christmas sales.
With THE NAKED GAMES, author Tony Perrottet repeats what he previously did with
Pagan Holiday: On the Trail of Ancient Roman Tourists, i.e. take the reader back to the good old days. In this volume, Tony describes, based on relatively meager and scattered historical sources, what it was like to attend, either as a spectator or an athlete, the original Greek Olympic Games, which were uninterruptedly staged every four years from 776 B.C. to 394 A.D. That's 1,170 years, a performance run that Broadway productions can only fantasize about. Some rocks don't live that long.
My pre-existing knowledge of the Greek games and Olympia being, well, nil, the only errors apparent to me were in an artist's re-creation of the forty-foot high statue of Zeus within his Olympia temple. The drawing of the idol is wildly out of proportion, based on measurements provided in the historical record, to the human figures alongside. Moreover, Tony's text places a scepter in his right hand and a winged statue of Victory in his left while, in the drawing, it's just the opposite. Didn't anyone proof-read?
The volume contains thirty-one illustrations, most of which show the contestants' activities as depicted on drinking cups, amphorae, and water jars of the period. Not surprisingly, pretty much all of the subjects are buck naked, which is how they competed and which is consistent with the book's title. I wish I'd had the sunscreen concession.
There's also a drawing of what the Sanctuary of Olympia complex may have looked like around 150 B.C. based on extant ruins and archeological evidence. There is, however, no placement of Olympia on a map; it was rather isolated from the rest of Greece. I had to look it up on-line.
Finally, there's a scene from the film
Ben-Hur [1959] [DVD] that shows the title character racing his 4-horse chariot. Perrottet maintains that the film's race sequence, and action sequences like it in other movies, accurately portrays the chaotic and violent nature of the event as it was staged at the Greek games. Really? I didn't realize Charleton Heston was that old.
As a work of popular history, THE NAKED GAMES is almost certainly not the most learned or comprehensive work on the subject. But for anyone with a casual interest in a wide range of topics, this book, assuming Perrottet is reporting the facts with reasonable accuracy, is a congenial and instructive diversion.