The autobiographical sketch by Quentin Crisp was selected by our Book Group because at first glance it seemed an unexpected and amusing look on life and a book that we had heard about through the author's notoriety in the media ( in the 1960s and later ) and about which we felt we would like to form our own opinions. The resulting opinions tended, sadly, to be somewhat negative. The narrative was considered repetitive, chronologically confusing and in general a dismal and depressing tale. One reader described it as a strange mix of pride in his sexuality and self loathing. However some readers did feel Crisp's story was more one of courage against the odds, and that the tone was lifted with his many quips and quirky insights. Perhaps Crisp's skills as an entertainer, turning humiliating incidents into droll stories, had been enhanced over the years as he `sang for his supper' in the bars of Soho?
It was argued that Crisp had good reasons for offering muddled chronology and failing to mention the names of his acquaintances because his homosexual lifestyle had been illegal and specifics could have compromised his friends and supporters. It was also argued that it was an important text because it was published immediately after the Decriminalization of Male Homosexuality Act went through parliament in 1967 and represented a `scream from Soho' telling just how it had felt to be a person who could not feel remotely safe anywhere but in a few streets in Central London. Crisp arguably writes `a survivor account' that is still worth reading, whatever its failings are in organisation and precision, because it represents the life of one forced to be a social fugitive - an outcast - banished from ordinary life, mobbed even in the metropolis, just because he dyed his hair and wore high heels. At the same time Crisp celebrates the few people who gave him work, lodging, and friendship so that there is a positive thread running through the general wail of daily woe. At least we learned that `the naked civil servant' of the title derived from the fact that Crisp became an artists' model at Saint Martin's School of Art (which is located on the edge of Soho) and was therefore someone paid from government funds to pose in the nude.
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