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The Mysterious Flame Of Queen Loana: An Illustrated Novel
 
 
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The Mysterious Flame Of Queen Loana: An Illustrated Novel [Paperback]

Umberto Eco , Geoffrey Brock
3.3 out of 5 stars  See all reviews (30 customer reviews)
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Product details

  • Paperback: 464 pages
  • Publisher: Vintage; paperback / softback edition (1 Jun 2006)
  • Language English
  • ISBN-10: 0099481375
  • ISBN-13: 978-0099481379
  • Product Dimensions: 19.4 x 13 x 2.8 cm
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (30 customer reviews)
  • Amazon Bestsellers Rank: 70,663 in Books (See Top 100 in Books)

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Product Description

Review

"An insidiously witty and provocative story"--Richard Eder"Los Angeles Times" (06/05/2005)

Book Description

This remarkable illustrated novel is Eco's most accessible and bestselling book since The Name of the Rose.

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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

Most Helpful Customer Reviews
12 of 12 people found the following review helpful
By Mr. D. Clark VINE™ VOICE
Format:Hardcover
Its a fact that all of Umberto Eco's novels are remarkable. Which doesn't necessarily make them easy to read. Both "Foucault's Pendulum" and "The Name of the Rose" are on my all time top ten list - while I couldn not finish either "Baudolino" or "The Island of the Day Before. " I'm glad to say that I finished TMFOQL .

The premise of the novel is fascinating. Yambo, an Italian antiquarian book dealer comes to in hospital ,following a car crash, and has no memory of his personal life right up to his accident. However, he remembers the plot of almost every book which he has ever read. The only ones he doesn't remember are those which he had an intense personal connection to. The narrative of the novel deals with Yambo's attempts to recapture his own personal history, which he does through revisiting his boyhood home, and much of the literature of all kinds which he read when he was young.

If that sounds dry or rather academic, please don't be put off. Its far more than this. The novel makes deeply interesting points about the way that we make memories, and the part that literature, music, in fact all forms of popular culture cannot be divorced from our everyday lives, but are in fact an integral part of the tapestry of memory. I became highly involved with Yambo's quest, and found it deeply moving. Don't be surprised, though, as you read it, if you find yourself wondering wether Yambo should ever have tried to recapture his past . Actually, thinking about this I am sure that Eco is implicitly asking the reader this question.

You must stick with this one. It does drive to a point. Even if it strikes you that the seemingly endless recollection of comic books, pul literature, and adolescent adventure stories from Yambo's childhood does go on for too long, it is necessary and important.

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8 of 9 people found the following review helpful
By Donald Mitchell HALL OF FAME TOP 500 REVIEWER VINE™ VOICE
Format:Hardcover
The Mysterious Flame of Queen Loana is a side of Umberto Eco that you haven't seen before . . . and I think you will like it . . . especially if you found the references in The Name of the Rose and Foucault's Pendulum to be a little too much for you.

The book's premise is much like that of The Arabian Nights, an excuse to introduce an interesting story teller who unravels a fascinating tale that could go on endlessly. In this case, the device is a stroke which causes Yambo to lose his memory of most everything (including his name) except what he has read. Recuperating from his stroke, Yambo receives hints from his wife and best friend about what he's like . . . and discovers that he has a weakness for the ladies. What does that mean about his relationship with his beautiful, young assistant?

Soon frustrated by his memoryless life in Milan, Yambo goes back to his childhood home to see if anything there resurrects any memories. He discovers a house and attic full of the past through which he relives the history of Italians his age. Later, a second stroke restores his memory, and he relives his life as it happened . . . with a little fantasy attached.

It's a witty commentary on the vacuity of the "official" record of our times to see how little of Yambo's life the effects of his life captured.

For those who aren't Italian, the book offers deep and thoughtful look at what it meant to live in Italy under the Fascists. At times, it seemed like the musical comedy version of Gunter Grass's books about Nazi Germany.

The book dazzles most, however, with its many full color illustrations from books, magazines, posters and other cultural icons. These images make the mental pictures conjured up by Eco's words stronger and more lasting. Be sure to check out the section on sources of citations and references that begin on 451. These details will add to your enjoyment of the illustrations.

As I read the book, I wished that I knew a few more languages (especially German and Italian), but most of the references were either easy to appreciate or covered in context by another reference that I understood. Naturally, some Ph.D. student will write a dissertation that firmly fixes all of the references, but that will be too stuffy to read for this breezy, charming effort.

What is life? What is memory? What is reality? These fundamental questions are all beautifully addressed in both sublime (images of perfect love) and the mundane (relieving oneself among the vineyard rows.

It's great fun, and I highly recommend this book to you. It's the high brow's perfect beach read!

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24 of 28 people found the following review helpful
Format:Paperback
On p.252 of this novel GianBattista Bodoni, the first person narrator, says "It was a ramshackle story, no part of which held water ... an incredibly slipshod narrative that lacks both charm and psychology". Bodoni's comments refer to an old comic book called "The Mysterious Flame of Queen Loana", but apply equally to Eco's novel of the same name, which is a scruffy, self-indulgent, tedious homage to the literature and art of Bodoni's childhood. In this, Bodoni is Eco's mouthpiece, and Eco takes full advantage in an exhaustive and nostalgic journey through the major cultural influences of his early years, and the fantasy worlds they helped him, as a child, to build. Given the narrator's comments about the Queen Loana comic book, it is just possible that Eco is playing a trick on his readers - by leading them through a fiction that is as ramshackle, slipshod and charmless as the comic book Bodoni describes. Ha, ha, the joke's on you reader. If so, that would just confirm the vanity and self-importance that are this novel's hallmarks. I think the truth is more mundane, if rather puzzling - Eco has produced an absolute stinker.

Bodoni is trying to recover his affective and emotional memory following a stroke. The stroke has not affected his encyclopedic memory - he can remember words and facts from all the books, newspapers, films, posters, comics etc he has read or seen. But he doesn't recognise his wife or family, and cannot recall anything that is held in the memorey by its association with emotional states (love, political and ethical convictions, tastes and preferences etc.). So he goes on a journey to his childhood home, to browse through an attic full of mementoes in an attempt to recover his memory and thereby find out who he really is.

It's a tried and tested formula for exploring notions of personal identity, in this case by relating the formative experience of books to emotional and personal development. BUT - and it's a big BUT - Bodoni's character is unconvincing, self-obsessed and dull. The long, middle section is little more than a list of the books he finds in the attic with endlessly repetitive questions suggested by the characters he encounters in them - "perhaps that's why I had felt ...", "was this the source of the quote?"... maybe this, perhaps that, possibly this. It is truly tedious, and I was tempted to give up several times.

Once he starts to recover his memory, there are some better passages recounting a key incident from his experience of World War II. It is at this point that Eco remembers the basic principles of writing fiction - you have to tell a story, rather than write a rambling monologue.

Unfortunately, the improvement is a blip, and Bodoni returns to the suffocating hyperindividualism of his tunnel-like vision as the "theatrical" denouement approaches.

I didn't give up on this book, I managed to finish it. I was curious to know if it could remain so poor to the end. After all Eco's first book, The Name of the Rose, is a classic. But to no avail. Its only fascination for me is that it is one of the worst books I've ever read.
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Most Recent Customer Reviews
A beautiful meditation on culture and memory
It is interesting to see how this novel has divided reviewers: perhaps the division says more about what people with different temperaments expect from a novel than it does about... Read more
Published 20 months ago by Dr. G. C. Watson
Typical Umberto
I have enjoyed reading all of Umberto Eco's books because of his high quality of writing. I fall deeply into the world that he creates in each story. Read more
Published 21 months ago by John Schell
Mixed thoughts.
I thought a lot about how many stars I should give 'The Mysterious Flame'. I thought two stars would be unfair, given the intellectual value of its content. Read more
Published on 14 Oct 2009 by Tras de las palabras
Not Eco at his best, but some nice flourishes
A good soul searching look at growing up in fascist Italy and the second world war. I enjoyed the evocative descriptions of events and places. Read more
Published on 28 Aug 2009 by S. Zacharias
A Wonderful Evocation of Memories and their Graphical Form
This is a magnificent book, a fantastic whirling evocation of a past life revealed to a troubled mind, physically diseased and hovering on the brink of extinction but nevertheless... Read more
Published on 31 July 2009 by Clifford
Disappointing
I love Umberto Eco's books. I struggle through them and feel like I've really acheived something by finishing them! Read more
Published on 28 Jan 2009 by Tricia B
Utter Crap
has professor eco peaked already? has all his success gone into his head? does he think he has a band of followers ready to devour half eaten scraps he throws in the waste... Read more
Published on 1 Dec 2007 by seldon
Only the worst of Eco
I have often joked that I would rather read Umberto Eco's shopping list than many of the so-called popular novels. In this book, Eco goes to prove me wrong. Read more
Published on 5 Oct 2007 by Thomas Paul
fascinating and thought-provoking
I'm going somewhat against the grain of the other reviewers here by stating that this is a fantastic book. Read more
Published on 19 Jun 2007 by Nicholas John
A good read, but lacks an ending
A 60 year old man wakes up unable to remember any of his own history, but with his factual memory intact. Read more
Published on 17 Jun 2007 by Mr. Paul J. Bradshaw
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