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The Music Lesson [Paperback]

Katharine Weber
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Paperback, 11 July 2002 --  
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Product details

  • Paperback: 178 pages
  • Publisher: St Martin's Press; First Printing edition (11 July 2002)
  • Language English
  • ISBN-10: 0312252854
  • ISBN-13: 978-0312252854
  • Product Dimensions: 19.3 x 12.4 x 1.5 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 1,600,920 in Books (See Top 100 in Books)

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Katharine Weber
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Product Description

Review

"A wonderful book." --"Washington Post"
"As intricate as an acrostic....Weber's skill is such that her puzzle engages the reader's attention throughout."--"The New Yorker"
"Throughout Weber's tricky, tension-filled plot, double-crosses, murder, and art forgeries dramatize the deeper themes of love, refuge, and loss."--"Entertainment Weekly"" "

Product Description

Patricia Dolan is alone with a stolen Vermeer painting in an Irish cottage by the sea. How she got here is part of the story she tells us: about her father, a Boston cop; the numbing loss of her daughter; and her charming Irish cousin, who has led her to this high-stakes crime.
Her vigil becomes a tale of love, regret, and transformation. As Patricia immerses herself in the passions of her Irish heritage, she discovers what has been hidden beneath the surface of her own life--and what she must do to preserve the things she values most.

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Customer Reviews

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Most Helpful Customer Reviews
book worm 5 Dec 2009
Format:Paperback
A little faded round the edges but overall quality satisfactory. Good value would buy from this supplier again.
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0 of 2 people found the following review helpful
Good read 4 Jun 2001
By A Customer
Format:Paperback
Firmly anchored in the female pysche - which may prove challenging. It will also require some understanding of the Irish situation (the IRA, splinter groups, etc)
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  52 reviews
63 of 65 people found the following review helpful
A beautiful story 5 Sep 1999
By A Customer - Published on Amazon.com
Format:Hardcover
Historical art expert Patricia Dolan has never fully recovered from the death of her daughter that subsequently led to her divorce. She throws herself fully into her work at New York's Frick Art Reference Library to forget her inner pain.

Her distant cousin, Michael O'Driscoll comes to New York to obtain her help. Soon, the duo becomes lovers. She leaves America to live in a cottage in a remote part of Ireland. As the long winter sets in, Patricia has only a stolen painting by Vermeer, THE MUSIC LESSON, as company. As she keeps a diary, Patricia soon begins to transform herself, guided by the painting that is her sole companion. She now knows that she must choose between the beauty of art and the mundane pragmatic world of politics where love is not part of the equation.

THE MUSIC LESSON is a clever, but strange psychological thriller that will elate sub-genre fans. The novel is mostly told through Patricia's diary, but that device does not slow down the tale for even a nanosecond. The story line is crisp though readers will question the naive motivations of Patricia even in her numb state. However, what makes this novel a winner is the characters, especially Patricia and the person in the painting. As with OBJECTS IN MIRRORS ARE CLOSER THAN THEY APPEAR, Katherine Weber scribes a taut thrilling tale of self awareness.

Harriet Klausner 3/17/99

45 of 48 people found the following review helpful
art and politics 19 Jan 2000
By Kimberly Rhodes - Published on Amazon.com
Format:Paperback
What do art historians and radical Irish political groups have in common? In this book, a (fictional) Vermeer painting owned by the Queen of England. Patricia Dolan, bereft Irish-American reference librarian at the Frick, falls hard for her Irish cousin and within weeks finds herself ensconced in a remote cottage in Ireland with one of the objects of her desire--the tiny "kidnapped" Vermeer painting that is being held for ransom. Patricia tells us her story in retrospect in the form of a plain-spoken journal and simultaneously reveals her interconnected, immediate musings on loss, love, art history, philosophy (Walter Benjamin in particular), national identity, politics and geneaology. To her credit, Weber clearly and cleverly conveys her complex tale in this slim and compelling novel that manages to be, like a Vermeer painting, both understated and profound.
12 of 13 people found the following review helpful
Sacrificing it All for Art 22 July 2004
By Diana F. Von Behren - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
After reading "Tulip Fever" and "Girl With a Pearl Earring" I was in a Vermeer state of mind. Craving more, I happened upon this little story by Katharine Weber. Not quite what I expected, it nevertheless moves freely after a deliberately murky and introspective opening by narrator art historian, Patricia Dolan. Divorced, Patricia is forever haunted by the death of her only child in an unfortunate school bus accident. Memories of her mother, also deceased, further complicate and plunge her shaky emotions into the subterrean depths of the depressed mind. Enter Mickey, the younger man, a sweet and all-male Irish relation, who charms even Patricia's ex -Boston cop father after reawakening her sexuality with his rough and tumble bedroom savoir faire. Soon Patricia finds herself in Ireland, the sentinel to a tiny priceless Vermeer painting stolen in transit from a museum show back to its owner Queen Elizabeth herself, by Mickey and his band of Irish Republican sympathizers. When Patricia realizes she has been duped, used all along for her art historian's knowledge of the painting and its crating, she must scrounge up all the courage she buried deep within her after the death of her child and her own innocence.

Slow at first as it should be, this tiny novel flounders a little as the voice of Patricia recounts her sadness. Once she establishes her emotional foundation, however, the story picks up a well-appreciated momentum, where the reader feels as if she is moving along with the tide, feeling Patricia's pain firsthand as revelation after revelation clicks into place like the pieces of a sick little jigsaw puzzle. Satisfying ending with delicious descriptions of the fictitious Vermeer and the feelings of beauty, perfection and peace the painter instills within Patricia even after all she has gone through.
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