Those who relished the wit, learning, eccentric characters and barmy flights of fantasy of Michelle Lovric's THE UNDROWNED CHILD will not be disappointed by this excellent sequel. It continues Teo and Renzo's battle against the evil spirit of Bajamonte Tiepolo and his ambitions to destroy Venice and all things Venice-related. Once again it's a book that older children will enjoy but is so intelligent and entertaining that adults should not feel excluded.
This time although the narrative begins in Venice it swiftly moves to piratical events on the high seas and then to London around the time of Queen Victoria's death. Lovric successfully blends documented historical fact with humour, surreal fantasy adventure and often a fairly macabre Gothic sensibility. Tiepolo's chief ally is the extremely nasty Miss Uish who brutalises the orphans in her charge on the ship she commandeers. She's one of the most brilliantly realised and most despicable villains in a children's book that I can remember.
Any book that has a bluff talking bulldog, curry-eating mermaids, street urchins who sleep in coffins, vampire squid and a sarcastic flying cat would be worth a read but the quality of Lovric's research, characterisations, richly comic dialogue and gift for conjuring up a vivid sense of time and place makes this into something special. I found myself quickly forgiving the nonsensical passage late in the book where Bajamonte Tiepolo gloatingly reveals his wicked plans to Teo, because the quality and charm of the writing had by then, completely won me over.
I imagine it is possible to read and enjoy THE MOURNING EMPORIUM as a stand alone book, but I suspect that the reader will get much more out of the experience if they have first read THE UNDROWNED CHILD. Certain concepts such as "going between the linings" will be easier to grasp, as will the underlying motivations and histories of the protagonists.
Happily, the ending of this book implies that a further sequel is a virtual certainty. There is therefore, no cause for mourning here.