- Two MP3 Albums for £10. Buy this and one other MP3 Album from a great selection for no more than £10. Here's how (terms and conditions apply)
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Album Savings: £0.52 compared to buying all songs
- Original Release Date: 15 Mar 2006
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
Buy this MP3 album with any other MP3 album under £8 and pay no more than £10 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with another eligible title and the discount will be applied at checkout. |
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. The Morning Dew/Grants | 3:11 | £0.89 | ||
| Play | 2. Brian Maguire/Thomas Judge/The Broken Pledge/McGlinchey's/The Green Garters | 8:09 | £0.89 | ||
| Play | 3. Rathlin Island | 4:10 | £0.89 | ||
| Play | 4. Shandon Bells/Boys Of The Town/Rakes Of Clonmel/Girls Of The Town | 4:38 | £0.89 | ||
| Play | 5. Festus Burke/John Drury | 6:37 | £0.89 | ||
| Play | 6. An Ceileabrad Caoine/Morgan Magan/Greig's Pipes | 8:41 | £0.89 | ||
| Play | 7. Mrs. Judge | 4:05 | £0.89 | ||
| Play | 8. Down The Broom/Joseph Bank | 3:31 | £0.89 | ||
| Play | 9. Kean O'Hara/Colonel O'Hara/The Flagon Reel/Dublin Lasses | 8:46 | £0.89 |
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1 review
2 of 2 people found the following review helpful
Great performances, fine music
22 May 1998
Format:Audio CD
This is a thoroughly enjoyable album: two strong performers who obviously have a great rapport and whose styles complement each other well. In duos and solos, Mulvihill's fiddle and Long's piano and harpsichord offer fresh, lively interpretations of traditional tunes. Long's solo arrangements of O'Carolan melodies clearly show his relationship to eighteenth-century classical music, which isn't always evident with other instrumentation. My only major gripe is that the recording was poorly miked: there's no separation between the two instruments, so in the duos it sounds as if the violinist is standing in the middle of the piano. (Also, I find the liner notes infuriating: the writer stresses Mulvihill's "originality" while merely listing the sources from which Long learned her technique. As a traditionally trained fiddler, Mulvihill is fully as "derivative" as she is; in fact, I think she's the more innovative of the two!) A worthy addition to anyone's music library, even if you're not an Irish music fan.
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