'The Mistress' begins with an honest and transparent confession by the author as to her motivations and inspirations for writing the book. In doing so, Ms. Griffin establishes her credibility as an informed, experienced practitioner of what she preaches. While such a confession may offend readers who are already pre-disposed against her subject and stance, it certainly acquits her of bias by stealth or deceit.
Before leading the reader through interesting and varied historical case studies, Ms. Griffin provides a fascinating and well-documented account of sexual politics and the "woman as temptress" theme so prevalent through mythological and factual history. This is, in my opinion, the most interesting part of the book. While the individual case studies that followed lend evidence (or at least non-imaginary examples) to her theories, it was the general that most interested me.
Towards the end of 'The Mistress' I felt my interest, or at least my admiration, wane a little. 'A Conversation' will confuse those not already familiar with the stories and the characters to which it refers and I felt the same material could have been covered by Ms. Griffin in a more accessible and coherent way, especially given her obvious and pre-demonstrated ability in formal argument.
Likewise, 'A Balancing Act', the final chapter, is presented in a type of notebook style. While I appreciate Ms. Griffin's admitted desire to avoid reaching or asserting any 'conclusions' in such an indefinite subject, I once again felt she could have presented her thoughts in a more disciplined way. Given the immense thought and research the 'The Mistress' apparently required, it seems a shame to leave an unrepresentative impression of her writing skills in the reader's mind.
Notwithstanding these relatively minor criticisms of style, I found 'The Mistress' to be informative, impassioned and intelligent. I recommend it to anyone with an enquiring and open mind.