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The Mistress of the Art of Death (Mistress of the Art of Death 1)
 
 
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The Mistress of the Art of Death (Mistress of the Art of Death 1) [Hardcover]

Ariana Franklin
4.0 out of 5 stars  See all reviews (41 customer reviews)

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Product Description

JOANNE HARRIS, August 06

'Entertaining, well researched and well written'

Joanne Harris

Entertaining, well researched and well written.

NY Times

"a morbidly entertaining novel"

Diana Gabaldon, Washington Post

Terrific...Wonderfully plotted, with a dozen twists...A historical mystery that succeeds brilliantly as both historical fiction and crime-thriller.

LITERARY REVIEW, June 2007

'Delightfully original'

The Observer, 9 December 2007

'The deserved winner of this year's ELLIS PETERS HISTORICAL DAGGER is a cunningly plotted tale... Great stuff.'

Product Description

Winner of Best Historical Crime Novel 2007. In Cambridge a child has been hideously murdered and other children have disappeared. The Jews, made scapegoats by the all-powerful Christian clergy, have been forced to retreat into the castle to avoid slaughter by angry townspeople. Henry, King of England, is displeased. The Jews provide a large part of his revenue and therefore the real killer must be found, and quickly. A renowned investigator, Simon of Naples, is recruited and he arrives in town from the continent accompanied by an Arab and a young woman, Adelia Aguilar. There are few female doctors in twelth century Europe, but Adelia is one of them, having qualified at the great School of Medicine in Salerno. What's more, her speciality is the study of corpses; she is, in fact, a mistress of the art of death, a skill that must be concealed in case she's accused of witchcraft. Adelia's investigation takes her deep into Cambridge, its castle and convents and in a medieval city teeming with life, Adelia makes friends and even finds romance. And, fatally, the attention of a murderer who is prepared to kill again...

From the Inside Flap

'Entertaining, well researched and well written.' Joanne Harris

In Cambridge a child has been hideously murdered and other children have disappeared. The Jews, made scapegoats by the all-powerful Christian clergy, have been forced to retreat into the castle to avoid slaughter by angry townspeople.

Henry, King of England, is displeased. The Jews provide a large part of his revenueand therefore the real killer must be found, and quickly. A renowned investigator, Simon of Naples, is recruited and he arrives in town from the continent accompanied by an Arab and a young woman, Adelia Aguilar.

There are few female doctors in twelfth-century Europe, but Adelia is one of them, having qualified at the great School of Medicine in Salerno. What’s more, her speciality is the study of corpses; she is, in fact, a mistress of the art of death, a skill that must be concealed in case she’s accused of witchcraft.

Adelia’s investigation takes her deep into Cambridge, its castle and convents and in a medieval city teeming with life she makes friends and even finds romance. And, fatally, attracts the attention of a murderer who is prepared to kill again…

From the Back Cover

1171

Adelia Aguilar is a rare thing in medieval Europe - a woman who has trained as a doctor. Her speciality is the study of corpses, a skill that must be concealed if she is to avoid accusations of witchcraft.

But in Cambridge a child has been murdered, others are disappearing, and King Henry has called upon a renowned Italian investigator to find the killer - fast.

What the king gets is Adelia, his very own Mistress of the Art of Death.

The investigation takes Adelia deep into Cambridge; its castle and convents, and streets teeming with life. And it is here that she attracts the attention of a murderer who is prepared to kill again...

--This text refers to the Paperback edition.

About the Author

Ariana Franklin was born in Devon and, like her father, became a journalist. Having invaded Wales dressed in combat uniform with the Royal Marines for one of their military exercises, accompanied the Queen on a royal visit, missed her own twenty-first birthday party because she had to cover a murder, she married, almost inevitably, another journalist. At this point she decided that staying married was a good idea so she abandoned her career in national newspapers and has settled down in the country to bring up two daughters, study medieval history and write. THE MISTRESS OF THE ART OF DEATH is her first historical thriller.
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