- Jubilee offer: spend £10 or more on any product sold by Amazon.co.uk on or before June 6 and you can buy The Diamond Jubilee A Classical Celebration Album for just £2.50 Here's how (terms and conditions apply)
| ||||||||||||||||||||||||
![]() Trade In this Item for up to £6.00
Get an extra £5 when you trade in books worth £10 or more until June 30, 2012. Trade in The Mind of a Mnemonist: A Little Book about a Vast Memory for an Amazon.co.uk gift card of up to £6.00, which you can then spend on millions of items across the site. Trade-in values may vary (terms apply). Find more products eligible for trade-in.
|
Product details
|
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
I am at loss of words to describe the book, for a few hundred words cannot describe the vastness of S's mind, but hats off to Luria, I enjoyed (and still do enjoy)the book from cover to cover.
A R Luria's "The mind of a mnemonist: A little book about a vast memory" is an excellent book indirectly about synaestheisa.
the subject 'S' had a memory that was for all practical purposes inexhaustible. part of the reason for this was because he was very highly synaethetic, colours had texture, smell & emotional associations. numbers had tastes and tones, etc.. his whole world was a rich mass of interacting sensory experience.
it made even the most mundane things extremely vivid and helped him remember practically everything.. not that it helped him, he was an unassuming, unremarkable and unhappy man. (there's probably a lesson in there somewhere, but i've already forgotten what it is.)
This book, Oliver Sacks' The Man Who Mistook His Wife for a Hat (especially his chapter on "The Twins") or An Anthropologist on Mars (cf. the chapter "Prodigies"), and Donald Treffert's Extraordinary People: Understanding "Idiot Savants", all explore people whose memory is astonishingly accurate and sometimes limitless. These are fascinating and highly stimulating accounts that arouse our sense of wonder.
A beautiful book.
"The Mind of a Mnemonist" is a slim book that tells the story of a man identified only as "S," whom Luria knew and worked with for decades, a man who literally could not forget. Like other such bottomless memories, "S" was a side-show curiosity whose ability was a burden as much as a gift. Luria details the difficulties "S" had in grappling with daily life, where thinking clearly depends so much upon forgetting the useless.
I have no idea whether Borges had ever seen this book when he wrote "Funes the Memorious," which is a wonderful fictional account of just such a mind.
The book also takes a fascinating detour into the condition that somehow gave "S" his powers, synesthesia. People with synesthesia can "hear" colors and "see" sounds. Smells have textures. Shapes have sounds. This seems to be a natural condition in infancy, but most people lose it, except for remnants of this when people talk about "warm" colors or "cold" sounds.
The composer Alexander Scriabin was among those who retained a complex synesthetic sensitivity into adulthood. S. was another. "What a crumbly, yellow voice you have," he told one psychologist. For him, numbers had personality: "5 is absolutely complete and takes the form of a cone or a tower -- something substantial. ... 8 somehow has a naive quality, it's milky blue like lime ...." And Luria gives this account of an experiment: "Presented with a tone pitched at 2,000 cycles per second and having an amplitude of 113 decibels, S. said: 'It looks something like fireworks tinged with a pink-red hue. The strip of color feels rough and unpleasant, and it has an ugly taste -- rather like that of a briny pickle ... You could hurt your hand on this.' "
Experiments were repeated over several days at the Academy of Medical Sciences in Moscow, with dozens of tones, and the results were invariably the same. This synesthesia of sound is the essence of poetry, too. Dante divided words into "pexa et hirsuta," combed and unkempt (or "buttered and shaggy" in Ezra Pound's translation). S. used exactly the same words -- "prickly," or "smooth" -- for sounds, voices, words.
If you don't need one author to do all your thinking for you, if you can take what you read in one place and apply it to what you know from others, this book will expand your awareness of the human experience in an unforgettable way.
|