This is Tariq Goddard's fifth book and it marks a satisfying leap forward in terms of style and content. He's the only writer I can think of right now whose talents are so robust that there is a danger, as was shown in The Late Review Show the other night, of reading him too quickly. With Goddard you always get two books - in this case a serious contemplation on death and the banalities of ambition and power, realpolitik and its practitioners. And a terrifyingly fast plot that takes the corners so fast you really need to hold on. He's a merciless plot driver, but what a couple of the reviewers failed to notice or at least didn't admit to noticing was the delicacy of the writing; there isn't a wasted sentence. He's a new voice, not interested so much in the sound of it, but in using it to construct a compelling and poignant narrative. The Message is fimic; but that's not his fault; and the coda is exquisite beyond words.