Sign in to turn on 1-Click ordering.
Trade in Yours
For a 5.50 Gift Card
Trade in
More Buying Choices
Have one to sell? Sell yours here
Sorry, this item is not available in
Image not available for
Image not available

Tell the Publisher!
Id like to read this book on Kindle

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

The Mess Inside: Narrative, Emotion, and the Mind [Hardcover]

Peter Goldie
3.5 out of 5 stars  See all reviews (2 customer reviews)
RRP: 32.00
Price: 27.20 & FREE Delivery in the UK. Details
You Save: 4.80 (15%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Only 1 left in stock (more on the way).
Dispatched from and sold by Amazon. Gift-wrap available.
Want it Friday, 25 April? Choose Express delivery at checkout. Details


Amazon Price New from Used from
Hardcover 27.20  
Paperback 18.99  
Trade In this Item for up to 5.50
Trade in The Mess Inside: Narrative, Emotion, and the Mind for an Amazon.co.uk gift card of up to 5.50, which you can then spend on millions of items across the site. Trade-in values may vary (terms apply). Learn more

Book Description

28 Jun 2012
Peter Goldie explores the ways in which we think about our lives—our past, present, and future—in narrative terms. The notion of narrative is highly topical, and highly contentious, in a wide range of fields including philosophy, psychology and psychoanalysis, historical studies, and literature. The Mess Inside engages with all of these areas of discourse, and steers a path between the sceptics who are dismissive of the idea of narrative as having any worthwhile use at all, and those who argue that our very selfhood is somehow constituted by a narrative.
After introducing the notion of narrative, Goldie discusses the way we engage with the past in narrative terms. This involves an exploration of the essentially perspectival nature of narrative thinking, which gains support from much recent empirical work on memory. Drawing on literary examples and on work in psychology, Goldie considers grief as a case study of this kind of narrative thinking, extending to a discussion of the crucial notion of 'closure'. Turning to narrative thinking about our future, Goldie discusses the many structural parallels between our imaginings of the future and our memories of the past, and the role of our emotions in response to what we imagine in thinking about our future in the light of our past. This is followed by a second case study—an exploration of self-forgiveness.
In this ground-breaking book, Goldie supports scepticism about the idea that there is such a thing as a narrative self, but argues that having a narrative sense of self, quite distinct from any metaphysical notion of selfhood, is at the heart of what it is to think of ourselves, and others, as having a narratable past, present, and future.

Product details

  • Hardcover: 208 pages
  • Publisher: OUP Oxford (28 Jun 2012)
  • Language: English
  • ISBN-10: 0199230730
  • ISBN-13: 978-0199230730
  • Product Dimensions: 21.6 x 14.2 x 1.5 cm
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 104,682 in Books (See Top 100 in Books)
  • See Complete Table of Contents

More About the Author

Discover books, learn about writers, and more.

Product Description


One will certainly come away from this volume enriched on the topic (P. Jenkins, CHOICE)

Peter Goldies final book is an important and insightful addition to the ever-growing literature on the nature of narrative and its role in our psychology (Roman Altshuler, Philosophy in Review XXXIII (2013), no. 3)

About the Author

Peter Goldie was the Samuel Hall Chair in Philosophy at the University of Manchester. His main philosophical interests were the philosophy of mind, ethics, and aesthetics, and particularly questions concerning value and how the mind engages with value. He is the author of The Emotions: APhilosophical Exploration (OUP, 2000), and On Personality (Routledge, 2004), co-author of Who's Afraid of Conceptual Art? (Routledge, 2010), editor of Understanding Emotions: Mind and Morals (Ashgate, 2002), and The Oxford Handbook of Philosophy of Emotion (OUP, 2010), and co-editor of Philosophyand Conceptual Art (OUP, 2007), Empathy (OUP, 2011), and The Aesthetic Mind (OUP, 2011).

Inside This Book (Learn More)
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index
Search inside this book:

Sell a Digital Version of This Book in the Kindle Store

If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store. Learn more

What Other Items Do Customers Buy After Viewing This Item?

Customer Reviews

4 star
3 star
1 star
3.5 out of 5 stars
3.5 out of 5 stars
Most Helpful Customer Reviews
5.0 out of 5 stars Beautifully written and accessible 3 Nov 2012
Format:Hardcover|Verified Purchase
Philosophically rigorous (of course, this is Goldie!) with beautifully insightful examples and pertinent observations, but equally accessible to non-philosophers (perhaps deceptively so - the prior reviewer appears to have missed the point of the endevour...). No doubt, another classic.
Comment | 
Was this review helpful to you?
0 of 7 people found the following review helpful
2.0 out of 5 stars not for me 4 Sep 2012
By edb
Format:Hardcover|Verified Purchase
While I don't regret buying this book, I do feel that for students of literature it isn't new. Just what we know already categorized differently, from the philosopher's perspective.
Comment | 
Was this review helpful to you?
Search Customer Reviews
Only search this product's reviews

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
First post:
Prompts for sign-in

Search Customer Discussions
Search all Amazon discussions

Look for similar items by category