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'Compelling and shocking', Minette Walters
'Terrifying but stylish, cruel and compassionate. Truly, horribly good' Frances Fyfield , Mail on Sunday
'Gripping, intelligent stuff' The Times
'A superb psychological thriller' Cosmopolitan
'A deliciously gruesome serial killer thriller. Ms McDermid finds new ways to shock and revolt us' New York Times
The Gold Dagger award-winning serial killer thriller that began the Number One bestselling crime series featuring clinical psychologist Dr Tony Hill, hero of TV’s much-loved Wire in the Blood.
You always remember the first time. Isn’t that what they say about sex? How much more true it is of murder…
Up till now, the only serial killers Tony Hill had encountered were safely behind bars. This one’s different – this one’s on the loose.
Four men have been found mutilated and tortured. As fear grips the city, the police turn to clinical psychologist Tony Hill for a profile of the killer. But soon Tony becomes the unsuspecting target in a battle of wits and wills where he has to use every ounce of his professional nerve to survive.
A tense, beautifully written psychological thriller, The Mermaids Singing explores the tormented mind of a serial killer unlike any the world of fiction has ever seen.
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Her background as a newspaper reporter seems to enable her to write developing stories in a style that makes you feel you are there. Her characters are more human than those found in Patricia Cornwell's police thrillers, and the characters have more depth than the typical James Patterson. She avoids the new realism which seems to demand more explicit torture scenes in short chapters, relying instead on a more thoughtful exposition of the motives involved and a true sense of time in the plotting.
Her development of the personality of Tony Hill is well-paced, and manages to blend the abstract analytical facet of his work with his human frailties and self-blindness.
This book encouraged me to read her back-catalogue works; the schoolgirl mystery stories of Lindsay Duncan and the Warshawski-like Brannigan series which although lighter in tone show the love of detail on which this more mature work depends for its success.
I unreservedly recommend it as a more human approach than Cornwell and created with rather more thought and insight than Patterson.
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