- Paperback: 166 pages
- Publisher: Princeton University Press; Reprint edition (30 Sep 1996)
- Language English
- ISBN-10: 0691029318
- ISBN-13: 978-0691029313
- Product Dimensions: 20.2 x 13.3 x 1.3 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 646,715 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Description
Fifty years ago when Jacques Hadamard set out to explore how mathematicians invent new ideas, he considered the creative experiences of some of the greatest thinkers of his generation, such as George Polya, Claude Lévi-Strauss, and Albert Einstein. It appeared that inspiration could strike anytime, particularly after an individual had worked hard on a problem for days and then turned attention to another activity. In exploring this phenomenon, Hadamard produced one of the most famous and cogent cases for the existence of unconscious mental processes in mathematical invention and other forms of creativity. Written before the explosion of research in computers and cognitive science, his book, originally titled The Psychology of Invention in the Mathematical Field, remains an important tool for exploring the increasingly complex problem of mental life.
The roots of creativity for Hadamard lie not in consciousness, but in the long unconscious work of incubation, and in the unconscious aesthetic selection of ideas that thereby pass into consciousness. His discussion of this process comprises a wide range of topics, including the use of mental images or symbols, visualized or auditory words, "meaningless" words, logic, and intuition. Among the important documents collected is a letter from Albert Einstein analyzing his own mechanism of thought.
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THE SUBJECT we are dealing with is far from unexplored and though, of course, it still holds many mysteries for us, we seem to possess fairly copious data, more copious and more coherent than might have been expected, considering the difficulty of the problem. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
THE SUBJECT we are dealing with is far from unexplored and though, of course, it still holds many mysteries for us, we seem to possess fairly copious data, more copious and more coherent than might have been expected, considering the difficulty of the problem. Read the first page
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Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback
As far as I am aware, this book is unique. I know of no other in which a distinguished mathematician explores the processes of mathematical creativity. For years I felt that my own, thinking-in-pictures approach to maths was clumsy. After reading Hadamard I stopped worrying about it and this book was a great morale-booster for me. There aren't many books that deserve to be read by all who do mathematics - but this is certainly one of them.
Most Helpful Customer Reviews on Amazon.com (beta)
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3 reviews
15 of 15 people found the following review helpful
A study of the mental workings of some great mathematicians
16 Jan 2001
Format:Paperback
This is a short study of how creative thought works. Hadamard, a world-class mathematician best known for his proof of the prime number theorem in 1896, wrote this in the 40's, basing it on correspondence with many of the great living mathematicians of his time. The actual questions he posed are preserved in an appendix.
Most of his respondents were mathematicians (and he limited his correspondence to the best minds in the field), but he did get information from several other fields, and cites data about physicists (a letter from Einstein forms another appendix), chemists, physiologists, metaphysicians, and so on. What he is trying to examine is a slippery subject, perhaps best explained by a quote. Here is a discussion of Sidgwick, an economist: "His reasonings on economic questions were almost always accompanied by images, and the images were often curiously arbitrary and sometimes almost undecipherably symbolic. For example, it took him a long time to discover that an odd symbolic image which accompanied the word 'value' was a faint, partial image of a man putting something on a scale."
Hadamard gives his own mental images that accompany his following through the steps of Euclid's famous proof of the infinitude of primes. I won't reproduce that here for space reasons, but the contrast with Sidgwick's--and with other reports of mental activity--is fascinating. Many other examples are given, from Mozart to Polya to Galton to Poincare. Hadamard makes it clear that language and thought are not the same thing, contrary to a commonly expressed view among linguists. He cites Max Muller's comments equating thought and language, and acknowledges that for Muller it may be so, but convincingly demonstrates, by quoting numerous other mathematicians, that it is not true for everyone. The further conclusion, that the process of creative thought, while following similar patterns in similar discipline, can vary dramatically, is as far as Hadamard can go with the data he has.
One other note: this book was originally titled "The Psychology of Invention in the Mathematical Field" and is available under that title from Amazon, published by Dover Books. It's not immediately clear from the Amazon page that this is so. The Dover edition is substantially cheaper.
A fascinating and informative book.
8 of 9 people found the following review helpful
The Psychology of Math
2 April 2001
Format:Paperback
The Mathematician's Mind is a study on how research mathematicians go about the business of advancing their field. Jacques Hadamard, a prominent mathematician, wrote this psychology text over 50 years ago, after having done his best work 50 years prior. Although in some ways dated, both in content and in writing style, the book provides an interesting examination of the role of the conscious and subconscious in solving a problem, particularly the process of incubation and (seemingly) sudden inspiration. He brings up the roles intuition and logic play in the way various mathematicians go about their business. Hadamard also examines the influence of aesthetics in not just choosing a problem, but in solving it. He studies the choice of research direction, with the interesting comment that Hadamard himself avoided areas of research where there was already a great deal of activity.
The book is short enough that if the subject interests you, it is worth your time.
The text is also published under the title "The Psychology of Invention in the Mathematical Field."
6 of 7 people found the following review helpful
The Psychology of Invention in the Mathematical Field
3 Mar 2005
Format:Paperback
Not only is this book fascinating, it's the only one of it's kind. The book has also proved very useful to me in life. As a graduate student I used Poincaré's implicit `advice' (described in the book) in the following way. In electrodynamics we had a long problem sheet to hand in every two weeks. I started by writing down answers to all problems that I knew. Then, I thought about the next-easiest problem each day walking twice to and from the University (about 1 1/2 hours altogether). When the answer came I wrote it down and iterated the process. Before the end of two weeks most of the problems (from Jackson) had been solved. Poincari's advice is very good about giving the unconscious a chance to work. Phooey and double phooey on the silly, uncreative skinner-box types and other behaviorists who don't recognize the unconscious as the source of creativity!
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