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The Master and Margarita (Penguin Classics) [Paperback]

Mikhail Bulgakov
3.4 out of 5 stars  See all reviews (7 customer reviews)
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Book Description

26 Jan 2006 0141188286 978-0141188287

The devil comes to Moscow wearing a fancy suit. With his disorderly band of accomplices - including a demonic, gun-toting tomcat - he immediately begins to create havoc.

Disappearances, destruction and death spread through the city like wildfire and Margarita discovers that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves ...

'A masterpiece of magical surrealism, a triumph of the imagination' Sunday Telegraph, Books of the Century



Product details

  • Paperback: 576 pages
  • Publisher: Penguin Classics (26 Jan 2006)
  • Language: English
  • ISBN-10: 0141188286
  • ISBN-13: 978-0141188287
  • Product Dimensions: 11.1 x 3.1 x 18.1 cm
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 102,387 in Books (See Top 100 in Books)

Product Description

Review

This novel, considered by many a masterpiece of 20th century Soviet era literature, is complex and many layered. It tells three stories, including that of Pontius Pilate and Jesus, the story of the Master who is in an insane asylum and his true love Margarita, and a writer who wants to destroy his own masterpiece which is the first story of Pontius Pilate. The main story is set in Russia in the 1930's and involves the devil who is disguised as Professor Woland, who can use black magic. Actually, listeners may wish for some magic of their own to keep the three stories straight, to separate fantasy from reality and to appreciate the nuances of the stories, all of which require a knowledge of art, religion, history, the Soviet era and the life of Christ. In addition, there is the usual difficulty of keeping the Russian names straight as characters are called by alternating versions of their first, middle and last names throughout. And then there is the fact that this novel is a satire and so it is up to the listener to figure out if the author actually means what he is saying. Fortunately, narrator Julian Rhind-Tutt, a British actor, is a magician with his voice. Within a minute, he can voice three characters and the narrator, gliding silkily from one to another with great distinction among them. Even if listeners aren't totally sure what is going on at all times, this audiobook is still is a pleasure to listen to. And after this audiobook, listeners can always go on to read the book with a confidence gleaned from this intelligent and entertaining interpretation. --Soundcommentary.com

Bulgakov's satire of the greed and corruption of Soviet authorities illustrates the redemptive nature of art and faith, and Julian Rhind-Tutt's superb interpretation does the classic full justice. With a dramatic flair and a deep, multilayered voice, he pulls off a host of fantastical characters including Professor Woland (Satan) and several of his associates, Pontius Pilate and Jesus Christ, witches and madmen and a variety of early 20th-century Moscow literary and theater types. --Publisher's Weekly --This text refers to the Audio CD edition.

Book Description

A fierce satire, filled with dazzling surreal humour (20021018) --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

3.4 out of 5 stars
3.4 out of 5 stars
Most Helpful Customer Reviews
13 of 16 people found the following review helpful
2.0 out of 5 stars The Master and Margarita 16 Feb 2009
Format:Paperback
I first came across Bulgakov's classic when a teenager forty years ago. I devoured it eagerly then, and re-read it so often over the years that gradually my copy fell to bits. Thus when I came across a Penguin re-issue in my local bookshop I snatched it eagerly off the shelf and bore it home for immediate enjoyment. I read the first few pages in deepening bewilderment and disappointment. This was evidently a new and different translation from the one I was used to. While I absolutely know nothing about Russian, in this translation the English is awkward and inharmonious, the text doesn't flow and in some cases doesn't make much sense. Whereas in the previous excellent translation by Michael Glenny the humour is effortless, in this translation it seems laboured and artificial. If I had never read this novel in a previous translation, I would have put this version down in disgust and disappointment. I shall now search for a decent second hand copy of the earlier edition.
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3 of 4 people found the following review helpful
2.0 out of 5 stars Lost in Translation? 25 Nov 2010
By Antenna TOP 500 REVIEWER
Format:Paperback
My two star rating is for the over-literal i.e. often jarring and oddly worded translation by Pevear and Volkhonsky. Although I am not a fan of magic realism, I was at first prepared to make an effort with this highly praised classic: the tale of the havoc wrought on the unsuspecting inhabitants of Moscow by the Devil and his acolytes - including an outsize, vodka-swilling, talking cat. With his powers to hear people's private conversations and inner thoughts, and prey on their weaknesses of greed, envy and fear, not to mention predicting and causing brutal death, only to bring some victims back to life on a whim, the Devil soon has people carted off to the lunatic asylum in droves, including the odd mortal who tries to take a stand. I gathered that all this is meant to be a satire on the evils of Stalin's regime. Perhaps it was very brave of Bulgakov to write it (only it was not published until after his early death), and also innovative for its day, but it is in the main too dated and stylised to move me. For a reason I do not fully understand, the story is intercut with accounts of the final sentencing by Pilate and crucifixion of Christ, which I gather are extracts from the novel written, but destroyed by a character called "the Master", after they have been rejected by the publishers whom Bulgakov also wished to parody. Although I found these extracts quite striking and memorable, but am not sure of their relevance to the overall story.

At first, the bizarre chain of events seemed quite witty and entertaining but by about halfway through I decided I could not stand any more and a quick skip through to the end suggested that the book "does not improve" or add to what I had already grasped. So, I took the rare action of abandoning it but have made a note to seek out a better translation, which captures more of what I imagine to be Bulgakov's clever humour and wry wit, for a later date.
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3 of 4 people found the following review helpful
4.0 out of 5 stars Great book, bad edition. 15 Oct 2010
Format:Paperback
The book is a definite 5-star but this translation is fairly poor and contains no footnotes.
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