Statement of interest: I edited this volume. Read the product description given here, or take up the offer to "look inside". No-one can complain that they have been sold a pup (it offends me deeply that someone should go on here to say so). Or look through it in a shop before you buy - presumably you'll buy a book because you like the look of it, not because of what you imagine it to commodify! This series of three volumes was expressly "designed to be a rolling showcase of international talent" - including, but not limited to, Japan. From Africa to Indonesia and beyond, manga has become a global phenomenon, and the point and purview of BNM was to reflect that. This volume alone features the work of winners of the International Manga and Anime Festival, Tokyopop's Rising Stars of Manga, and the UK Japanese Embassy's Manga Jiman competition (now in its fourth year). The form of manga is itself a hybrid, as any cursory consideration of its history (and present reality) will show. For its influence to span the globe and to not be itself transformed by that, would make manga something inert and dead - which it most assuredly isn't. The fixations of fan mentality would limit us to endless replication of the tropes of shojo and shonen, with their pretty girls and prettier boys, the big eyes and short skirts, the teen genre iterations of what is, ladies and gentlemen, an entire medium. And our ideas of what is possible can't be limited by the relatively little manga and anime that get-rich-quick publishers have chosen to import. Even so, if you want to try authentic Japanese manga, read Tatsumi's A DRIFTING LIFE, Tanaka's GON, Koike and Kojima's LONE WOLF AND CUB, and so many more. Or, if you want the wider picture of the international scene, or just a bloody good read, try one of these volumes of BNM. Either way, take a look around, and make a choice for yourself what you want to read. But please don't limit what is possible by the awkward definition of others. There's just so much more to it.